John Barbirolli was a great opera conductor John Barbirolli was a great opera conductor

Fifty some years ago I stumbled on to John Barbirolli‘s recording of matchless Elgar & V-Williams music for strings and discovered my go-to conductor for life.

Don’t cry because it’s over Don’t cry because it’s over

Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.

Tra voi belle Tra voi belle

Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.

Living the part Living the part

Diana Soviero chats with Roger Pines about six decades of performing, four decades of teaching, and how she’s handing the tradition off to the next generation.

Faith in their hands shall snap in two Faith in their hands shall snap in two

Franz Welser-Möst leads a rigorous, if emotionally staid, performance of Verdi‘s Requiem at Carnegie Hall. 

O stars of wonder, stars of night O stars of wonder, stars of night

A starry (and potentially annual) Christmas gala lights up Carnegie Hall.

Seeing double Seeing double

Jonas Kaufmann has a new lieder album called Doppelgänger, but the contents of the album vary depending on how you purchase it.

Gilda! mia Gilda!…È morta! Gilda! mia Gilda!…È morta!

Mexican soprano Gilda Cruz-Romo died on 28 June at the age of 85 and Chris’s Cache remembers her with live recordings of a frequent role and a rather rare one: a last-minute Met Tosca plus perhaps her only stab at the Cherubini Medea.

Promising young women Promising young women

Ahead of her return to the Met, soprano Corinne Winters chats with Kevin Ng about her repertoire, overcoming biases about her voice type, and how she plans to play “energetic, young women” as long as she can.

Duet to me one more time Duet to me one more time

Patrick Mack reviews yet another Puccini album from Jonas Kaufmann

Other desert settees Other desert settees

Washington Concert Opera returned on November 24th for its first show of the 2024-2025 season with a production of Puccini’s Manon Lescaut, another (relative) rarity from the composer following last year’s season-closing presentation of La rondine.

Unnecessary performance problems Unnecessary performance problems

Patrick Mack on the iconic Ethan Mordden‘s career and his first book on opera in 30 years – and it appears that time has mostly stopped in the Mordden manse.

It’s going to be a lovely party It’s going to be a lovely party

Overall, this was a superb achievement and a thrilling season opener for the San Francisco Opera.

Thoughts on <em>Andrea Chénier</em>: the greats Thoughts on <em>Andrea Chénier</em>: the greats

Quite simply, the singers are not around today who are steeped in the tradition of verismo, or for that matter the later part of the 19th century.

Thoughts on <em>Andrea Chénier</em>: the opera Thoughts on <em>Andrea Chénier</em>: the opera

Doing my research for these “thoughts” ahead of a starry revival in London that opened yesterday, I came across the following review for the Opening Night of the 1962-63 Season.

Hope is a thing with feathers Hope is a thing with feathers

After a century of searching, the world has perhaps finally found a definitive Magda in ethereal soprano Ailyn Pérez.

The commendatore effect The commendatore effect

In an ingenious stroke of double casting, the Met’s new Forza del destino brings back the Marquis of Calatrava—father of the heroine Leonora, unintentionally killed in the opening scene by a bullet from her lover’s pistol—as Padre Guardiano, Father Superior of the monastery that will take her under its protection as a hermit in Act 2.

Remember my forgotten soprano Remember my forgotten soprano

This week Chris’s Cache features Maria Chiara, Elena Mauti-Nunziata, Rita Orlandi-Malaspina and Orianna Santunione in L’Amico Fritz, Mefistofele, Simon Boccanegra and La Fanciulla del West, respectively.

A whole can of worms A whole can of worms

On this day in 1979 the Metropolitan Opera presented a new production of Verdi’s Don Carlo.

Pearls of great Price Pearls of great Price

Anticipating Leontyne Price’s 96th birthday on February 10, Chris’s Cache presents the American diva in an epic collection of live performances.

Dazzling both ways Dazzling both ways

On this day in 1978 the Metropolitan Opera presented a new production of Massenet’s Thaïs.

Playing the diva vs. being the diva Playing the diva vs. being the diva

In the last weeks of January, as the Metropolitan Opera season wound to a close (prior to the winter hiatus) two striking sopranos were thrust into the limelight.

Late bloomer Late bloomer

Teresa Zylis-Gara died in late August at 91 and Trove Thursday offers the Polish soprano in a wide-ranging collection of live material showcasing her great versatility.

I, Franco I, Franco

Franco Corelli was born on April 8, 1921 in Ancona and Trove Thursday celebrates the matinee-idol tenor’s centenary with a pair of his rare non-Met US appearances; seducing Marie Collier in La Fanciulla del West and vacillating between Ilva Ligabue and Grace Bumbry in Il Trovatore.