<em>Blue</em> it <em>Blue</em> it

Jeanine Tesori’s Blue is an ambitious and worthy opera that deserves a better presentation than it got at Lincoln Center on Saturday.

Witchery and bitchery Witchery and bitchery

Double double, toil and trouble, y’all, and happy spooky season from Slaylem. (It’s like Salem, but fun.)

Remember, darling? Remember, darling?

During the 1970s, Stephen Sondheim composed Company, Follies, A Little Night Music, Pacific Overtures and Sweeney Todd–five richly varied masterpieces of musical theater in a nearly miraculous burst of creativity.

Arch types Arch types

What do you see when you look at Into the Woods? Stephen Sondheim and James Lapine‘s musical might serve as a kind of theatrical Rorschach test.

Rebranding the Met Rebranding the Met

A quick survey of the Met website shows wide swaths of available seats for the upcoming performances of La traviata and L’elisir d’amore.  Only new works like The Hours and Fire Shut Up in My Bones have been achieving sold-out houses.

Either less or more Either less or more

An elegantly streamlined production of Into the Woods now on stage at Philadelphia’s Arden Theatre makes the best case for the show I’ve yet seen

Anyone can puzzle Anyone can puzzle

Steve adored puzzles, solving them and creating them, so it makes you wonder that this one continued to fester—was that so few of his songs attained the rank of “standard.”

Learning how to laugh Learning how to laugh

When I think of Stephen Sondheim, so many of my memories are not simply about shows of his I loved and learned from—they are experiences that literally shaped my life.

Call of the wild Call of the wild

Call Out is an ample demonstration of Zachary James’ many talents—and an inspiring example of the artistic light that can be generated even when our theaters are temporarily dark.

Grimm and proper Grimm and proper

Bring your family: This show is special! Such perfect opera is hard to find!

Have I got a girl for you Have I got a girl for you

I was floored to find that Company with a female protagonist, at least in Marianne Elliott’s West End production, is a better and more complete show than original recipe Company.

Look at these people: aren’t they eerie? Look at these people: aren’t they eerie?

I’ve always believed that Follies, like life, should be relentless and inescapable.

Why I do the things I do Why I do the things I do

Fosca, finalmente mia!

Till there was June Till there was June

After her marvelous Pat Nixon at the Théâtre du Châtelet  two years ago, June Anderson returned there last Wednesday with pianist Jeff Cohen for a recital of French melodies and Broadway songs.