Elsa Dreisig, Jonas Kaufmann, and Malin Byström lead recent album releases.
Off-and-on since last fall my PPP (Personal Pandemic Project) has been assembling a chronology of the American Opera Society. For 19 years beginning in 1951 it presented a remarkable series of concert performances of works unperformed by either the Met or New York City Opera.
Saturday marks the centenary of Julius Rudel’s birth which Trove Thursday celebrates with Le Coq d’or, Faust and Ariodante, a triple-bill showcasing his impressive versatility, featuring Beverly Sills and Norman Treigle, two of the most important artists he nurtured during his leadership of the New York City Opera.
With the Fourth of July approaching, Trove Thursday turns to a quintessentially American opera with the broadcast of the world premiere—some 60 years after its composition—of Scott Joplin’s Treemonisha with Alpha Floyd, Seth McCoy and Simon Estes conducted by Robert Shaw.
Alexander Birch Elliott‘ s dynamic if gauche Zurga added some pizzazz to an otherwise bland evening.
Throughout the evening I couldn’t help thinking that this1870s Biblical epic of erotic obsession and penance was what the Met should have been doing this fall rather than its misbegotten Samson et Dalila.
The Hungarian State Opera and Hungarian National Ballet opened their visit to Lincoln Center Tuesday night with the US stage premiere of their “national opera” Bánk Bán.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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