Concerto barocco
Christopher Corwin on three stylish sopranos delighting audiences live in New York and on recording in a trio of new releases.
7 pieces since 2012.
Christopher Corwin on three stylish sopranos delighting audiences live in New York and on recording in a trio of new releases.
While isolated opera-lovers intently navigate the deluge of streaming videos being made available, I’ve been listening rather than viewing.
“Trove Thursday” offfers Joseph Martin Kraus’s superb Aeneas i Cartago, eller Dido och Aeneas—in Swedish!—starring a luminous Elisabeth Söderström as the doomed Queen.
Might Max Emanuel Cencic be the countertenor for people who hate countertenors?
After 23 years, the Queen of Carthage has finally made it to Manhattan.
Of all the Olympics-related products created to honor the upcoming summer games in London, surely one of the oddest must be a brand new pasticcio just released on a two-CD set by Naïve—L’Olimpiade.
By the end of its 2012-13 season, the Met will have presented four HD transmissions in less than two years featuring countertenors in prominent roles.
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