Dan Sharp-Ears
I had every reason to think I’d love the New York Phil’s production of The Cunning Little Vixen as much as I did their staging of Le Grand Macabre with the same creative team.
4 pieces since 2011 — in 2 roles, at 1 company, most often at Carnegie Hall.
1 piece as Harašta — stats above show all coverage for Wilbur Pauley.
View allI had every reason to think I’d love the New York Phil’s production of The Cunning Little Vixen as much as I did their staging of Le Grand Macabre with the same creative team.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.