Mourning becomes Iphigenia
Gluck’s Iphigénie en Aulide (1774), the occasion of his Paris debut, gets far less respect than her sequel, Iphigénie en Tauride.
8 pieces since 2013 — in 6 roles, at 2 companies, most often at Metropolitan Opera.
1 piece as Clytemnestre — stats above show all coverage for Virginie Verrez.
View allGluck’s Iphigénie en Aulide (1774), the occasion of his Paris debut, gets far less respect than her sequel, Iphigénie en Tauride.
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