O sofa fanciulla
Winsome, tony, and studded with overbooked bistros, Tanglewood is not exactly crawling with bohemians these days.
24 pieces since 2007 — in 12 roles, at 8 companies, most often at Metropolitan Opera.
6 pieces as Musetta — stats above show all coverage for Susanna Phillips.
View allWinsome, tony, and studded with overbooked bistros, Tanglewood is not exactly crawling with bohemians these days.
While she brought many exceptionally appealing qualities to her portrayal, Ermonela Jaho’s slender soprano often struggled to cope with Puccini’s demanding music.
La bohéme returned to the stage of the Metropolitan Opera once again last night (does it ever leave?)
Mortality is ugly—it smells, it makes uncomfortable noises, it takes its time; and then there is the overwhelming sense of dread and helplessness.
Maria Agresta‘s delicately-acted, sumptuously-sung seamstress transformed what might have been just an average Wednesday night revival into something finer.
One of the major complaints about the five year casting system (as well as the shared productions by different companies) is that operatic events are rarely surprises anymore.
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