Many large opera companies these days host valuable young artist programs dedicated to helping singers negotiate the difficult transition between leaving the conservatory and becoming full-time performing artists.
It has always puzzled me—and I’m not the only one—that so few successful operas have been composed in Spanish.
Pornography being the seminal [sic] art form of our time, through which every other art is interpreted (I lament this, but what can you do?), and opera being in one of its periodic up-cycles, new ones being composed and premiered, old ones being dusted off for re-use, and stage directors feeling impelled, as they do,…
Simpler can be better, as Pocket Opera of New York demonstrated in the back of the Bechstein Showroom on Wednesday evening for their double bill of Ravel’s L’enfant et les sortilèges and Debussy’s La chute de la maison Usher. When I heard these operas would be presented in English with piano accompaniment, I was initially…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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