Witch of the season
Noticing how often she turns up lately, one might guess that the operatic “heroine” for the global economic crunch is Medea, the mythological Greek sorceress and filicide.
5 pieces since 2011 — in 5 roles, at 2 companies, most often at The Little Opera Theatre of New York.
Noticing how often she turns up lately, one might guess that the operatic “heroine” for the global economic crunch is Medea, the mythological Greek sorceress and filicide.
By the time Rossini was 20, he had produced six operas, most of them brief, comic and slight. He admitted to admiring Mozart (not then well known south of the Alps), but the melodies of his early works show more of the influence of Paisiello.
On February 29, 1812 (thanks to Pope Gregory’s calendrical reforms), Gioachino Rossini celebrated his fourth birthday.
LoftOpera offered an unusually satisfying, immensely entertaining production of Rossini’s scintillating portrait of an inveterate seducer.
Opera composers do not often change their spots.
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