Bomb scare
The appeal of Ariadne auf Naxos (for me anyway) is the acknowledgment that underneath it all, opera (and all other forms of “high art”) is really show business.
4 pieces since 2014 — in 4 roles, at 4 companies, most often at Bayerische Staatsoper.
1 piece as Glyndebourne — stats above show all coverage for Sergey Skorokhodov.
View allThe appeal of Ariadne auf Naxos (for me anyway) is the acknowledgment that underneath it all, opera (and all other forms of “high art”) is really show business.
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