3 pieces since 2014 — in 3 roles, at 2 companies, most often at Bard Summerscape.
1 piece as Lysiart — stats above show all coverage for Ryan Jester.
View all
Despite the continued popularity of Der Freischütz in German-speaking countries, are the magical mature operas of Carl Maria von Weber otherwise really so problematic, their libretti so unwieldy to explain their continued absence from the world’s stages?
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.
