Forgiveness
It was odd, if not downright uncomfortable, to watch Le Nozze di Figaro at the Metropolitan Opera.
4 pieces since 2011 — in 2 roles, at 2 companies, most often at Metropolitan Opera.
It was odd, if not downright uncomfortable, to watch Le Nozze di Figaro at the Metropolitan Opera.
It took the better part of a decade—including two high-profile cancelations—or New York to finally hear Anna Netrebko in recital.
Sir Arthur Sullivan, the son of an Irish father and an Italian mother, studied Mendelssohn’s composition style in Leipzig. He was therefore, inevitably, the supreme English theater composer of his day, and his often Mozartean style of melody is not out of place in a bel canto festival. After all, in the fourteen operettas he […]
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