To celebrate the 100th anniversary performances of Turandot at the Met starting next week, Patrick Dillon gives a listen to seven versions of “Signore, ascolta!” for Perspectives on an Aria.
If The Night of the Iguana is not exactly a day at the beach, it’s not really the dark night of the soul it should be, either.
What Ever Happened to Baby Jane is, of course, the founding document behind the concept—itself almost a piece of Grand Guignol theatrics—of horror as the genre to which female stars are left once they’ve hit 50.
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