171 pieces since 2005 — in 36 roles, at 19 companies, most often at Metropolitan Opera.
1 piece as Countess Madeleine — stats above show all coverage for Renée Fleming.
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Capriccio skates along on a fine line between a fascinating idea-driven debate about the purpose of art in the wider world and a rather fussy narrow debate about text and music interesting only to those interested in opera as theatre.
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
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