Flashes of excitement and genuine pathos lit up City Opera’s production of Dolores Claiborne!
Antonio Literes, a boy soprano from Majorca, had, we may presume, friends in high places.
New York City Opera has officially launched its “renaissance” at Lincoln Center’s Rose Theater last night with a production of Puccini’s Tosca that should please a lot of older, conservative audiences, if not the adventurous operagoers that City Opera courted in the past.
Frustrated, perhaps, by the bulky requirements and dubious future of grand opera—and grand opera commissions—Benjamin Britten created some of his most intriguing and, nowadays, popular pieces for small casts and chamber orchestra.
Wednesday afternoon, Pocket Orchestra New York’s new PONYmobile presented a guerrilla performance of sorts in a most unlikely space, the XES Lounge in Manhattan, where designer Joel Yapching‘s BOOK homme debuted its Spring/Summer 2012 collection to the strains of Monteverdi’s Il Ritorno d’Ulisse in patria.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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