Witch of the season
Noticing how often she turns up lately, one might guess that the operatic “heroine” for the global economic crunch is Medea, the mythological Greek sorceress and filicide.
9 pieces since 2010 — in 5 roles, at 6 companies, most often at Metropolitan Opera.
1 piece as Théâtre Royal de la Monnaie — stats above show all coverage for Nadja Michael.
View allNoticing how often she turns up lately, one might guess that the operatic “heroine” for the global economic crunch is Medea, the mythological Greek sorceress and filicide.
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