The Wiener Staatsoper commemorated its 150th anniversary with a musically sensational presentation of Richard Strauss’ Die Frau Ohne Schatten.
I think the sturdier of you will enjoy Nina Stemme’s Elektra from Saturday night at Wiener Staatsoper.
“Go while the going is good. Knowing when to leave may be the smartest thing anyone can learn,” sings Fran in Promises, Promises, the 1968 Hal David/Burt Bacharach musical which apparently Edita Gruberová has never seen.
We were not at Carnegie Hall to hear superb opera singers bestow their vocalism upon Alban Berg’s Wozzeck; we are there to hear the Wiener Staatsoper’s house band work their magic upon an intricate, spooky, devastating score.
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