Ethiopian blends
Anticipating the first new local Aïda in thirty-six years, Chris’s Cache revisits Verdi’s popular opera in four unusually interesting in-house recordings from the Met 1961-1976.
20 pieces since 2005 — in 10 roles, at 3 companies, most often at Metropolitan Opera.
10 pieces as Metropolitan Opera — stats above show all coverage for Mignon Dunn.
View allAnticipating the first new local Aïda in thirty-six years, Chris’s Cache revisits Verdi’s popular opera in four unusually interesting in-house recordings from the Met 1961-1976.
Chris’s Cache celebrates an “Easter in October” gala with five special pirate recordings of Cavalleria Rusticana from the Met featuring four prima donnas whose Santuzze never got a Saturday broadcast and one whose did: Giulietta Simionato, Fiorenza Cossotto, Régine Crespin, Rita Hunter and Mignon Dunn.
Doing my research for these “thoughts” ahead of a starry revival in London that opened yesterday, I came across the following review for the Opening Night of the 1962-63 Season.
Yes, there were other Giocondas if not of quite the same distinction. Chronologically…
On this day in 1973 the Metropolitan Opera presented the company premiere of Les Troyens.
Today is Mozart’s 266th birthday and I had already planned a Trove Thursday celebration when I learned that Maria Ewing had died on January 9.
On this day in 1975 the Metropolitan Opera completed its first integral Ring cycle since 1962.
Opening night of La Scala in 1962 with Franco Corelli, Antonietta Stella, Fiorenza Cossotto, Ettore Bastianini, and Ivo Vinco.
“I will never sing the role again. It was frightful. We were a set of madwomen…There is nothing beyond Elektra. We have lived and reached the furthest boundaries in dramatic writing for the voice with Wagner. But Richard Strauss goes beyond him. His singing voices are lost. We have come to a full stop.”
Sony Classical, in association with The Metropolitan Opera, has begun issuing on CD a number of historic Met broadcasts, newly remastered. The first I received for review was the December 10, 1955 broadcast of Verdi’s Un ballo in maschera, perhaps most notable for the Ulrica of Marian Anderson, who earlier that year made her debut […]
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