On this day in 1978 the Metropolitan Opera presented a new production of Massenet’s Thaïs.
Despite the continued popularity of Der Freischütz in German-speaking countries, are the magical mature operas of Carl Maria von Weber otherwise really so problematic, their libretti so unwieldy to explain their continued absence from the world’s stages?
“What the…?” was my first thought when I opened the small manila package last week, unmarked save the NY return address. Inside I found a Wagner compilation CD set from an unknown label- not the obscure Spanish opera I had ordered online the week before. Although I saw no accompanying invoice, I assumed an Amazon…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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