Guilt, edged
If Darius Milhaud took a risk in adapting La Mère Coupable as an opera, it wasn’t the quirky, atonal style he used for his score.
5 pieces since 2016 — in 2 roles, at 3 companies, most often at Opera Philadelphia.
1 piece as Figaro — stats above show all coverage for Marcus DeLoach.
View allIf Darius Milhaud took a risk in adapting La Mère Coupable as an opera, it wasn’t the quirky, atonal style he used for his score.
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