Every year New York City opera-lovers eagerly anticipate the autumn because it means that summer is finally over and we can get back to serious opera-going, and this September promises “The Battle of the A’s.”
Noticing how often she turns up lately, one might guess that the operatic “heroine” for the global economic crunch is Medea, the mythological Greek sorceress and filicide.
Maybe it’s just me, but every time I listen to well done French baroque music, my imagination flies to the opulent halls of Versailles. I fantasize about being amongst Louis XIV and his cohorts drunk on wine, good food, and better music, enjoying the life of a bon vivant. Few recordings have created this vivid…
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