Luigi Alva 1927-2025 Luigi Alva 1927-2025

The Peruvian tenor Luigi Alva has died at 98.

Consumptive professionals Consumptive professionals

Given the keen interest in recent posts of Met pirates of Montserrat Caballé in Verdi, Chris’s Cache concludes its trio with the Spanish soprano’s Met Violetta, along with additional Met in-house recordings of Virginia Zeani, Pilar Lorengar, Jeanette Pilou, and Joan Sutherland as Verdi’s doomed courtesan.

Shining through Shining through

Trove Thursday celebrates Christa Ludwig with live excerpts from 1955 through 1982.

High ‘Society’ High ‘Society’

Off-and-on since last fall my PPP (Personal Pandemic Project) has been assembling a chronology of the American Opera Society. For 19 years beginning in 1951 it presented a remarkable series of concert performances of works unperformed by either the Met or New York City Opera.

Women on the verge Women on the verge

“Trove Thursday” offers Così fan tutte with Pilar Lorengar, Josephine Veasey, Lucia Popp, Luigi Alva and Kieth Engen with Georg Solti conducting.

Horne in the morning and June at night Horne in the morning and June at night

Semiramide produced at Carnegie Hall by Matthew Epstein in 1983 with June Anderson, Marilyn Horne, Samuel Ramey and Douglas Ahlstedt with Henry Lewis conducting.

La bontà in trionfo La bontà in trionfo

“Trove Thursday” offers a sparkling performance of Rossini’s La Cenerentola from our nation’s capital featuring the scintillating conducting of Claudio Abbado and Lucia Valentini-Terrani in the title role. 

It happened one knight It happened one knight

Falstaff, Verdi’s totally unexpected, final, great comedic roar.

Let me like a soldier fall Let me like a soldier fall

Between them, Maria Guleghina, Marcello Giordani, James Morris and John Del Carlo have nearly 150 combined years of service on stage.

Vintage

Sometime in the late 1950s, the management at Glyndebourne had the good idea to make archival recordings of the performances there, and these recordings, duly remastered and transferred to digital form, are gradually coming before the public through Glyndebourne’s house label. Thus it is that we find ourselves with this early release, a recording of…