My soul is eager for this kind of pain My soul is eager for this kind of pain

Ross Wassermann tracks the development of “Che farò senza Euridice?” — and “J’ai perdu mon Eurydice” — for this month’s Perspectives on an Aria

Tauride zone Tauride zone

This week Trove Thursday presents Gluck’s Iphigénie en Tauride in three stirring broadcasts starring Rita Gorr, Gré Brouwenstijn and Sena Jurinac

The curious case of Benjamin Bernheim The curious case of Benjamin Bernheim

Who’s been hiding tenor Benjamin Bernheim from me all this time?

Two by two Two by two

Were Joan Sutherland and Marilyn Horne 20th century opera’s ultimate same-sex pairing?

Kaleidoscopic maestro Kaleidoscopic maestro

Saturday marks the centenary of Julius Rudel’s birth which Trove Thursday celebrates with Le Coq d’or, Faust and Ariodante, a triple-bill showcasing his impressive versatility, featuring Beverly Sills and Norman Treigle, two of the most important artists he nurtured during his leadership of the New York City Opera.

She’s a rebel, she’s a saint She’s a rebel, she’s a saint

Verdi’s Giovanna d’Arco in a rare NYC concert performance with Margaret Price, Carlo Bergonzi and Sherrill Milnes.

Et voila l’histoire Et voila l’histoire

To mark Beverly Sills’s 90th birthday (May 25, 1929) “Trove Thursday” offers the late diva’s acclaimed Massenet heroine opposite her ideal Des Grieux, Alain Vanzo.

The vinyl countdown The vinyl countdown

At one point I spent a couple of months on the dole and dollar record shopping had a number of obvious virtues as a pastime.

Fifty shades of gold Fifty shades of gold

Anticipation of events like the Metropolitan Opera’s 50th Anniversary bash turns me back into the newly opera-soused kid who begged his parents to let him watch the highlights of the Bing Gala on the family color television.

Midcentury modern Midcentury modern

This week’s feature is a classic Salzburger Festspiele performance from 1959 with the all-star cast of Leopold Simoneau, Lisa Della Casa, Kurt Böhme, Erika Köth, Walter Berry, Hans Hotter, Graziella Sciutti and Karl Dönch conducted by George Szell.

Red-headed woman Red-headed woman

Sills at the peak of her powers and Handel’s 1743 secular oratorio make a perfect match.