Donizetti queens report

Today is the dress rehearsal/preview of Anna Bolena at the Met, and naturally La Cieca has infiltrated the event with a veritable phalanx of spies. After the jump: all your latest Anna Netrebko related news.

Pastia shrugged

The interpretation of Carmen by Latvian mezzo-soprano Elina Garanca has been much debated, many finding her cold and remote, others admiring her subtly smoldering quality.  A new Deutsche Grammophon DVD documenting the Met’s January 16, 2010 performances offers us an opportunity to examine the gypsy in close-up.  This is certainly not the lusty, passionate, mercurial Carmen…

German, te togli al campy…

1817 was a fertile and diverse time for 26 year old Gioachino Rossini. It opened with his last true opera buffa, La Cenerentola, continued with his most important semiseria, La gazza ladra, and ended with two operas, which, although both nominally belonging to the seria genre, could not be more different from each other.

Once on that island

Our Own Gualtier Maldè (right) escaped today’s Armida dress rehearsal at the Met with his wits intact. He reports: