Karen Slack is downright magisterial in her recital African Queens.
If you have not been following the exploits of Teatro Grattacielo during lockdown, it’s not because they haven’t been exploitatory all over the place.
A particularly heartbreaking aspect of the pandemic shutdown has, of course, been helplessly watching rising artists have their careers plunged into indefinite silence. But for a few bold souls who are willing to try new things, the moment has also opened doors.
Like many artistic homosexuals, I’ve been through an Altman phase, a Cher phase, a Sandy Dennis phase and a Karen Black phase, so you needn’t explain yourself to me.
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