Ten thousand bedrooms
The Metropolitan Opera desperately needed a new production of Le nozze di Figaro.
8 pieces since 2010 — in 5 roles, at 1 company, most often at Metropolitan Opera.
The Metropolitan Opera desperately needed a new production of Le nozze di Figaro.
Maria Agresta‘s delicately-acted, sumptuously-sung seamstress transformed what might have been just an average Wednesday night revival into something finer.
One of the major complaints about the five year casting system (as well as the shared productions by different companies) is that operatic events are rarely surprises anymore.
Every year I say I’m not going to another La Bohème because I’ve seen this too many times.
Don Pasquale is one of those operas that make listeners feel very happy and gay, who, after seeing it, live happily ever after and gayer than before. It’s about a whore who needs to get laid, with an eye on the young (once and still bottom) hunk versus the older (once top, yes you guessed […]
Luc Bondy’s Tosca returned to the Met on Wednesday night with an entirely new set of principals and conductor. The new trio of principal singers, all making local role debuts, could not redirect and redesign the production but they could allow their individual talents to outshine their surroundings.
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