Hear, O Israel Hear, O Israel

As Messiah season begins, Christopher Corwin reports on two of Handel’s forays into the Old Testament.

Sacred raptures cheer my breast Sacred raptures cheer my breast

The English Concert’s annual Handel tour brings Solomon conducted by Harry Bicket to the US beginning Sunday March 5. In anticipation, Chris’s Cache offers Solomon plus four other oratorios by the master:  Belshazzar, Hercules, Saul and Jephtha, all via broadcasts for which I feel a personal connection.

Green-eyed monster Green-eyed monster

Last night should have seen my favorite of this season’s revivals but instead Trove Thursday must step up with Jean-Marie Leclair’s irresistibly captivating Scylla et Glaucus conducted by Christophe Rousset.

Woeful countenance Woeful countenance

“Trove Thursday” steps in with one of René Jacobs’s favorite and rarest rediscoveries, Francesco Conti’s marvelous Don Chisciotte in Sierra Morena from 1719.

Inherit the wind Inherit the wind

Jean-Philippe Rameau was nearly 80 when he composed his final masterpiece Les Boréades, but it had to wait over 200 years to reach the stage.

Deeds of kindness to review Deeds of kindness to review

For decades thousands and thousands have attended Handel’s Messiah (usually around Christmas or more appropriately near Easter) making it easily one of the most widely known works of classical music.

Brit star! would I were steadfast as thou art! Brit star! would I were steadfast as thou art!

Rule Britannia? Often during the Olympics that famous number from Thomas Arne’s 1740 Alfred echoed in my ears.