Two atmospheric but bleak works provide a musical illustration of the notion that misery loves company.
Whatever its flaws, La finta giardinera is indeed a wise rep choice for grad students eager to cut their teeth.
The Rape of Lucretia, now (through Sunday) enjoying a superb three-performance run at the Juilliard Opera’s Willson Theater (tickets are scarce; hie thee to the waiting list), was Benjamin Britten’s third opera and first “chamber opera,” composed for the tiny original theater at Glyndebourne,
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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