Riding on empty
Two atmospheric but bleak works provide a musical illustration of the notion that misery loves company.
3 pieces since 2015 — at 1 company, most often at Juilliard School.
Two atmospheric but bleak works provide a musical illustration of the notion that misery loves company.
Whatever its flaws, La finta giardinera is indeed a wise rep choice for grad students eager to cut their teeth.
The Rape of Lucretia, now (through Sunday) enjoying a superb three-performance run at the Juilliard Opera’s Willson Theater (tickets are scarce; hie thee to the waiting list), was Benjamin Britten’s third opera and first “chamber opera,” composed for the tiny original theater at Glyndebourne,
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.