Leyla Gencer should have made it to the Met Leyla Gencer should have made it to the Met

Leyla Gencer had a long European career but never sang at the Met.

Parable of the prodigious son Parable of the prodigious son

I’m old enough to remember when Yannick Nézet-Séguin could do no wrong.

Contents fragile Contents fragile

Perhaps the greatest souvenir of her art there is.

Truth or dare Truth or dare

On the 21st of this month Romanian soprano Virginia Zeani will celebrate her 95th birthday and Trove Thursday salutes her versatility with two markedly different 20th century works: Menotti’s The Consul and Mascagni’s Il Piccolo Marat, one of many collaborations with her husband Nicola Rossi-Lemeni.

Mr. Fabulous Mr. Fabulous

Michael Fabiano is a boss. This is a fact. 

Woman on the Vergy Woman on the Vergy

“Trove Thursday” offers Gemma di Vergy with the lovely, largely now forgotten Adriana Maliponte in the title role.

Nadir at zenith Nadir at zenith

Les Pêcheurs de Perles with an impressive Francophone cast headed by the superb Nadir of Alain Vanzo, one of my favorite tenors.

Past imperfect Past imperfect

One of my adolescent pastimes was trolling the classical cut-out bins in record stores searching for overlooked gems or unfamiliar singers.

Bridging the Channel

It’s kind of shocking, when you really think about it, that the kind of international operatic model that the Royal Opera now operates on barely existed only 50 years ago. Until around 1960 most of the performances at the Covent Garden were given in English and the casting choices were enough to make the Vicar…

The art of making art

In this new Decca DVD of Tosca we find a highly intellectual, even fascinating staging at odds with the visceral nature of the original melodrama but one that inspires its cast to great heights.  Robert Carsen is a clever producer with an elegant visual palette.  He employs the same directorial strategy as his famous Mefistofele…

Cherry picking

“Voglio essere giudicato per la musica e nient’altro che per la musica.” “I want to be judged for my music and nothing but my music.” This phrase, which Mascagni himself wrote to his publisher Sonzogno, is the key to understanding the very essence and existence of L’amico Fritz (1891). Cavalleria rusticana, Mascagni’s first performed opera,…