14 pieces since 2015 — in 9 roles, at 3 companies, most often at Metropolitan Opera.
2 pieces as Norina — stats above show all coverage for Eleonora Buratto.
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It may be blasphemy to admit—particularly this month—but usually I can either take or leave Donizetti’s serious operas. However, I love the composer in comic mode, so Chris’s Cache runs with that sentiment in offering three recordings of Don Pasquale.
These days a cadre of voluble opera-goers regularly issues dire warnings that anyone about to attend this or that production at the Met should close her eyes and just listen rather than witness yet another Peter Gelb regie “atrocity.”
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