You’d think by now I’d know better than to make snap judgments about an opera or a singer—but apparently not.
The Underworld as corporate boardroom, Pluto a “suit,” the damned a bunch of clerks tapping away at laptops.
Vocal glamour in abundance highlighted the opening performance of LA Opera’s Il barbiere di Siviglia on November 29 at the Dorothy Chandler Pavillion, with much buzz attendant on the company debuts of Rossini experts Juan Diego Flórez and Joyce DiDonato. Adding excitement was the Figaro of Nathan Gunn, who played with Errol Flynn panache, and…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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