Strangeness of the body Strangeness of the body

On this past, rainy Thursday, the Orchestra of St. Luke’s delivered a really rather extraordinary performance of the St. Matthew Passion.  To me, this evening was a fascinating exploration of work.

Light up my Rameau Light up my Rameau

For those who complain (not entirely unfairly) that Handel operas are “just a string of da capo arias,” I sometimes mutter to myself, “Have they ever tried Rameau?”

Old-Fashioned Oratorio Old-Fashioned Oratorio

For the fourth annual edition of “Handel for my birthday” Trove Thursday serves up three heaping portions of “old-fashioned oratorio.”

For unto us a child is born For unto us a child is born

Each year, when I take in a performance of Messiah by the Philadelphia Orchestra as part of my own holiday tradition, I hope it will spark some new and exciting feeling inside of me, or offer a new way of looking at the musical drama as a whole.

Emmanuel labor Emmanuel labor

Philadelphia is a city famous for its musical institutions—so, of course, at this time of year Messiah performances abound.

Catch me if you cantata Catch me if you cantata

J.S. Bach doesn’t get a lot of attention on this site although he wrote tons of vocal music.

For a few dolors more For a few dolors more

LoftOpera’s accurately but unpromisingly named Pergolesi & Vivaldi stumbled rather than soared.

Morley marvelous Morley marvelous

Sunday afternoon at Carnegie Hall two remarkable slices of soprano-heaven were served up, first by Carolyn Sampson and then by Erin Morley, during the second act of Handel’s Orlando.

Fast and furious Fast and furious

A 1984 performance of Handel’s Orlando with Marilyn Horne, Valerie Masterson, Marvis Martin, Jeffery Gall and Robert Lloyd, conducted by Charles Mackerras.

Martyr system Martyr system

William Christie’s Les Arts Florissants made a much-anticipated appearance at Lincoln Center’s White Light Festival Saturday performing Theodora.

Saxon violence Saxon violence

His shaved head in striking contrast to his dark beard and glinting eyes, the implacable Tartar conqueror glowers at us from the CD cover, while the uncropped photo of countertenor Xavier Sabata (above) is even more disturbing, featuring his raised fist and forearm tightly wrapped in a leather belt.

Platée du jour Platée du jour

What must have raced through the mind of the none-too-comely Spanish Infanta when she learned that the opera to be performed during the celebrations for her 1745 wedding to the French Dauphin revolved around the comeuppance of an ugly yet vain water nymph tricked into believing Jupiter was her ardent suitor?