Guilt, edged
If Darius Milhaud took a risk in adapting La Mère Coupable as an opera, it wasn’t the quirky, atonal style he used for his score.
3 pieces since 2014 — at 3 companies, most often at Gotham Chamber Opera.
1 piece as On Site Opera — stats above show all coverage for Cameron Anderson.
View allIf Darius Milhaud took a risk in adapting La Mère Coupable as an opera, it wasn’t the quirky, atonal style he used for his score.
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