Max Ophuls, one of the greatest film directors, made masterpieces in French, German, English and Italian, as well as an amusing comedy in Dutch; he also clearly loved opera.
Through a lucky coincidence of timing, I was able to catch up with Cat on a Hot Tin Roof, a play I adore, in two productions playing at the same time.
I think that Cat on a Hot Tin Roof is the Williams play I have seen most often, on stage and through film. So, shall we share some observations on some of these experiences?
Cat on a Hot Tin Roof is sometimes called the American King Lear, which nods to themes of a father and his disappointing children… but I think it’s also Shakespearean in its sprawl and grandeur.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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