The year in Yohalem
My memory is fading but the events I recall most vividly of the last season seem largely to have been concert performances.
Arrigo Boito
30 pieces since 2010.
30
pieces
17
years
Sweet prince
The rediscovery of Franco Faccio’s Amleto, a curious score that last week, via Baltimore Concert Opera, received its first performances since 1871, reminds us just how tough an act Giuseppe Verdi was to follow.
Heartbreak fridge
Before there was Verdi’s Otello, Rossini’s Otello was considered the master operatic adaptation of Shakespeare’s tragedy.
He is big
Falstaff, Verdi’s final opera, is exuberantly inventive, bubbling and roiling with ideas the 79-year-old composer was too impatient to develop.
‘Twas pitiful, ’twas wondrous pitiful
I have to confess to a certain bias: I adore Rossini’s music. Barber was the first album I ever bought, and fittingly, the first opera I ever sang. Rossini was an astonishingly prolific composer, writing more than thirty-five operas, as well as numerous secular and sacred choral works, songs, and chamber music.
The bad and the beautiful
Packaged with a peek-a-boo cover exposing only Bryn Terfel’s lovely left eye (the effect of turning the page to reveal the Welsh bass-baritone’s head in its entirety brings to mind this Encyclopedia Dramatica entry) and an oddly hip-hop-flavored gray-on-black treatment of the album’s title, Terfel’s Bad Boys seems designed for those who like their divos […]