24 pieces since 2010 — in 1 role, at 4 companies, most often at Lyric Opera of Chicago.
1 piece as Metropolitan Opera — stats above show all coverage for Andrew Davis.
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Capriccio skates along on a fine line between a fascinating idea-driven debate about the purpose of art in the wider world and a rather fussy narrow debate about text and music interesting only to those interested in opera as theatre.
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