11 pieces since 2011 — in 9 roles, at 4 companies, most often at San Francisco Opera.
1 piece as Fasolt, Hunding — stats above show all coverage for Andrea Silvestrelli.
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Is Der Ring des Nibelungen responsible for the transformation of Seattle from a gray, damp, low-rise Boeing company town where half the jokes had punchlines in Norwegian (and were about lutefisk in any case) into today's booming cultural metropolis? I like to think so.
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
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