“Tosca,” starring the Philadelphia Orchestra
Though orchestrally lavish, this “semi-staging” delivers less theater than no staging at all.
4 pieces since 2011 — in 4 roles, at 3 companies, most often at Martina Arroyo Foundation.
Though orchestrally lavish, this “semi-staging” delivers less theater than no staging at all.
Bel Canto at Caramoor is something that I’ve always wanted to attend but never have because … well because frankly I’m just too lazy during the summers, and I’m also a big baby about outdoor performances.
For all the company’s good intentions this opera-dance combo was not one of its happiest outings.
It is a known fact that in summer, I only attend events in my habitual haunts of Nice, Antibes, St. Paul de Vence and Milan. However, when our coquine doyenne begged on her knees (à la Gencer in Alceste), I accepted the assignment to review Martina Arroyo Foundation’s production of Puccini’s La Rondine.
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