Guilt, edged
If Darius Milhaud took a risk in adapting La Mère Coupable as an opera, it wasn’t the quirky, atonal style he used for his score.
2 pieces since 2017 — in 2 roles, at 1 company, most often at Pacific Opera Project.
1 piece as Florestine — stats above show all coverage for Amy Owens.
View allIf Darius Milhaud took a risk in adapting La Mère Coupable as an opera, it wasn’t the quirky, atonal style he used for his score.
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