On this day in 1965 soprano Renata Scotto made her Metropolitan Opera debut as Cio-Cio San.
Louis Snyder in the New York Herald Tribune:
A much-heralded Italian soprano, Renata Scotto, long heard about but never heard in New York, finally made her Metropolitan Opera debut Wednesday night in the title role of the season’s first performance of “Madama Butterfly.” It was an occasion for rejoicing, and there was plenty of it in the form of applause and welcoming shouts to the new artist, who above all, is distinctly an individual.
Miss Scotto, as a prima donna, harks back to the days when it was assumed that, to be imported by the Met, you had substantial voice and experience, and the New York test was one of communication of personality. Wednesday night, Miss Scotto arrived with all three, and if she went her own way in portraying Cio-Cio-San-that is, outside the proscribed bounds of the effective Aoyama production-hardly anyone cared.
For she sings musically and affectingly, with pathos and color and humor in the voice, in a manner to enfold the listener in the first row of the orchestra or the last row of the family circle, Miss Scotto is a singer for all price ranges. And they let her know it Wednesday night after “Un bel di” with as loud an ovation as has been heard in the House this or maybe even last season. It would seem to be a case of instant love between Miss Scotto and the New York public.
Born on this day in 1912 composer Hugo Weisgall.