Cher Public

  • Quanto Painy Fakor: New FAUST production in Salzburg – UGLY!!!!!!!! 2:04 AM
  • danpatter: I couldn’t agree more. Tucker’s voice was the first tenor voice I listened to and liked. He was on so many... 6:45 PM
  • kennedet: I could be dead wrong but I find it difficult to believe that Battle’s life will ever appear on stage, film or anywhere... 5:14 PM
  • gustave of montreal: Then BOULEVARD SOLITUDE 4:50 PM
  • JohninSeattle: Returns of the day to our favored “playwright, actor, commentator and diseuse”. That said… Oh to have... 3:51 PM
  • Daniel: Arquez, pardonnez-moi̷ 0; 3:33 PM
  • Daniel: It’s unfortunate to read yet another review so focused on soloists’ vocal timbre rather than the overall effect of the... 3:31 PM
  • 98rsd: Levine and the Met Chorus and Orchestra easily outclassed this effort. And the soloists were basically just okay. Any idea why... 2:41 PM

Il core vi dono

With February 14th falling on a Sunday, there will be no Valentine’s Day Met performance this year. However, Richard Eyre’s production of Manon Lescaut, starring Kristine Opolais and Roberto Alagna, premieres tonight, and the romantic Italian fare continues on Saturday with a matinee of Il trovatore and an evening twin bill of Cavalleria rusticana/Pagliacci. Read more »

Conquering Ciro

By the time Rossini was 20, he had produced six operas, most of them brief, comic and slight. He admitted to admiring Mozart (not then well known south of the Alps), but the melodies of his early works show more of the influence of Paisiello. There is, however, already something substantially new and Rossinian about the early operas, and by the time he was twenty-one, in 1813, he had made himself famous all over the kingdom of Italy (that is to say, between Naples and the Alps) with the grand opera Tancredi and the comic L’Italiana in Algeri.   Read more »