Cher Public

  • Rudolf: @ Opera Teen Are you familiar with the Bulgarian “Francesca&# 8221; recording with Raina Kabaivanska? On RCA. :-) 11:45 PM
  • DonCarloFanatic: Thanks for this treat. I’ve listened once but intend to listen again and again. Maybe someone here could answer... 11:14 PM
  • Camille: Bravo Javiercito! If it is as good here at the MET next season—there will be a revolution. What a voice. Additionally, Srta de... 10:57 PM
  • sogalitno: Merci beaucoup! listening now… what a treat cher! 10:33 PM
  • Camille: I forgot to ask: will this Lohengrin be recorded in any fashion at all? A webcast is likely too much to hope for. 10:31 PM
  • Camille: Heaps of gratitude to the anonymous donor, whomever he/she may be. I had to listen to it twice over for that was how taken I was... 10:16 PM
  • Krunoslav: Also: -Daniela Dessi -Olivia Stapp ( VESPRI in Geneva; I saw her TURANDOT at Torre del Lago, aptly matched with Antonio... 9:49 PM
  • Krunoslav: Yes, of course- Jenny Drivala! :) 9:32 PM

Il core vi dono

With February 14th falling on a Sunday, there will be no Valentine’s Day Met performance this year. However, Richard Eyre’s production of Manon Lescaut, starring Kristine Opolais and Roberto Alagna, premieres tonight, and the romantic Italian fare continues on Saturday with a matinee of Il trovatore and an evening twin bill of Cavalleria rusticana/Pagliacci. Read more »

Conquering Ciro

By the time Rossini was 20, he had produced six operas, most of them brief, comic and slight. He admitted to admiring Mozart (not then well known south of the Alps), but the melodies of his early works show more of the influence of Paisiello. There is, however, already something substantially new and Rossinian about the early operas, and by the time he was twenty-one, in 1813, he had made himself famous all over the kingdom of Italy (that is to say, between Naples and the Alps) with the grand opera Tancredi and the comic L’Italiana in Algeri.   Read more »