Bess, is you our woman now?

Or, to put it another way, could this soprano be what the Met needs for Roberto Devereux?


While you ponder the future, you can enjoy the past: the final act of Verdi's Macbeth is now on Unnatural Acts of Opera.

A fine kettle

OperaChic caught the story first, and now it's even made the AP: Juan Diego Flórez has canceled Chicago (and anything else on the agenda for the next six weeks or so) due to a throat infection from a swallowed fishbone.

Joyce DiDonato in Maria Stuarda

La DiDonato is joined here by Gabriele Fontana and Eric Cutler in this 2005 video.

Body Neo-Nazis

So, if you're wondering why Jerry Springer: the Opera is called "the opera" --

30-day flu grips music industry!

UPDATE: La Cieca has heard from more than one reliable source that Juan Diego Flórez is yet another victim of whatever it is that's mowing down all the Almavivas. The tenor, she hears, has canceled Barbiere di Siviglia at Lyric Opera of Chicago. Word on the street is that John Osborn will be released from L'elisir d'amore at Palm Beach so he may sing the Rossini in Chicago, with performances beginning February 11 opposite Joyce DiDonato and Nathan Gunn. LOC subscribers (already reeling over having Angela Gheorghiu, Barbara Frittoli, Dimitri Hvorostovsky, Peter Mattei, Bernadette Manca di Nissa and Ambrogio Maestri yoinked from this season's roster) should gird themselves for a belated press release sometime today.

From the Met's press office: "José Manuel Zapata will sing the role of Count Almaviva in Il Barbiere di Siviglia on Thursday, February 21 at 8 p.m., Monday, February 25 at 8 p.m., and Friday, February 29 at 8 p.m. He replaces Michael Schade, who is indisposed." [emphasis added]

What do you think you are? A pair of queens?

The Met officially announced today that the company will stage Anna Bolena for Anna Netrebko for the opening night of the 2011-2012 season (old news to you, cher public!) and, the following season, Maria Stuarda for Joyce DiDonato.

The company has no current plans to produce Roberto Devereux. In what La Cieca is choosing to consider a stinging slap in the face to -- well, at least one soprano -- Peter Gelb explained, "The problem is casting ....There's no singer around today who can sing [Elisabetta]."

And you may make what you will of la Netrebko's statement about the Bolena: "Fortunately, it's far enough in the future that I'll have time to learn it really well."

Frocked up

UPDATED: Now with even more operatic tackiness!


A sampling of Diva Dress Disasters submitted by the cher public.Seen worse disasters? Email La Cieca!

Cessa di più eseguire?

La Cieca hears that, beginning tonight, Jose Manuel Zapata will omit Almaviva's final aria from the remaining performances of Il barbiere di Siviglia this season at the Met.

"Shirtless Teddy Tahu Rhodes Doing Push Ups"

Oh, what more delightful headline can be imagined? Well, perhaps "Florida free-fall sends Giuliani from hero to zero" -- that's great news too. But back to important matters. Did La Cieca mention that for his current stint in Dead Man Walking The Teddster has shaved his head?

Singing, actress

For those of you who were stumped by Lady Number Six, here's the mysterious dame herself, Galina Vishnevskaya, in a more accustomed version of Lady Macbeth, the 1966 film by Mikhail Shapiro of Katerina Izmailova.


The great diva returned to the screen only last year in Alexandra (directed by Alexander Sokurov), playing an elderly woman who makes the trek to Chechnya to visit her grandson, who has been stationed there as a soldier for seven years.

Mot du jour

"Marcello Giordani is, how can I put this, what Franco Farina would sound like if he weren't awful." -- My Favorite Intermissions

When Ladies Meet

And now, the solution to the "Sleepwalking Scene" quiz.

Three for the Regie

Our Mystery Regie this time presents a standard opera in three acts. So let's see one image from each act -- although each image is from a different production of the work.








Remember, cher public, if you actually recognize the production, hold your tongue and allow others to guess!

Una... due...

The clock is running out on the great Sleepwalking Scene contest, ladies and gentlemen! With only three hours and change to go, no one has successfully identified all 14 Ladies. Currently leading the pack with 13 correct are MC (not to be confused with Maria Callas) and DS (not to be confused with, uh, Dame Joan Sutherland). Each of these savants, however, stumbled on the mysterious Lady Number Six. Can you guess her identity (along with the other 13, of course), email La Cieca, and win the coveted amazon.com gift certificate?

Tu? Indietro! Fugly!

A loyal reader calls this little number "the worst gown I've ever seen."


La Cieca she agrees that Mme. Guleghina's fashion faux pas here just screams, "that was no lady, that was Lady Macbeth." On the other hand, your doyenne has seen some rather ghastly frocks in her time, and she's sure, cher public, that you have seen worse. If you have, send a jpg (preferably 350 pixels wide or larger) or a link to lacieca@parterre.com. Let's dish!

Ferocious!

The unusual and undreamed-of videos just keep popping up on YouTube. Here's a scene from Norma with Elinor Ross and Mario del Monaco!

No Sleep 'Til Sunnyside

Not a whole lot of news on matters operatic in the past couple of days, so La Cieca has decided a competitive quiz is in order. The clip below is the "Sleepwalking Scene" from Verdi's Macbeth divided among 14 sopranos and mezzo-sopranos. All you have to do is name the 14 singers in the correct order. (La Cieca has decided to be merciful this time and omit overly obscure singers. Each singer in this clip is or was internationally famous. However, La Cieca cautions you that not all these singers included Lady Macbeth in their onstage repertoire.)


When you believe you know all 14 voices, send your answer to lacieca@parterre.com. First correct answer will receive a gift certificate from amazon.com. Should there be no entry with all 14 correct answers by midnight on Tuesday, January 29, La Cieca will choose randomly among the entries with the highest number of correct answers.

In the meantime, please feel free to discuss and make wild guesses in the comments section.

UPDATE: As of Monday evening, La Cieca has not declared a winner. There is a tie for first place with two entries each naming 13 out of 14 correctly. Interestingly, they both mistake the same Lady. For those of you who might want to do a little more intensive study of the Ladies (and La Cieca doesn't mean only the lesbians in the audience!), here's the mp3 to download.

A Star is Reborn

That superstar of the podosphere, Miss Frances Gumm, is back after six months of laying fallow. Or is La Cieca thinking of Frank Sinatra? Anyway, one of our absolute favorite online destinations, JudyCast, has returned with its distinctive mélange of entertainment gossip and otherworldy warbling as gaily subversive as ever. (No explanation is given for the hiatus, but La Cieca suspects that the recent TCM screening of the bizarre 1968 flick Skiddoo dislodged whatever was creatively blocking Carol Channing and the other JudyCast partipants.)

Villazón sings again!

La Cieca's dear friend Ed Rosen (doyen of Premiere Opera) sent along a clip from Rolando Villazón's first recital since his return to the stage early this month. According to Ed, "He first sings Massenet's "Ouvre tes yeux," followed by Tosti's "Ideale." Rolando's voice sounds as beautiful as ever! The recital took place in Barcelona on January 13 of this year."


While we're on the subject, do be sure to check out Ed's always fascinating podcast.

There's no wrinkle on his brow, no how!

La Cieca has to say she has never taken much interest in the music of John Corigliano; in fact, she believes she used the phrase "Technicolor twaddle" to describe The Ghosts of Versailles. But your doyenne must give credit where credit is due. Boyfriend is looking fucking amazing for a 70-year-old!

Take a look at these two images that accompanied Steve Smith's NY Times preview of the Brooklyn Philharmonic's upcoming Corigliano festival:


At left is Corigliano 8 years ago when he won the Academy Award for The Red Violin; at right is a recent photo of the composer. Is it just me, or does he look more refreshed -- or shall we just say younger -- at 70 than he did at 62?

At this rate, Corigliano will look a dewy 35 by the time the Met revives Ghosts in 2010! Though, come to think of it, collaborating with Angela Gheorghiu has been known to add a crease or two to even the most youthful punim. What a pity if America's hottest septuagenarian composer should end up looking his age!

Gaîté Ancienne

La fée Manto (Francois Piolino) turns up the heat on old coot Anselme (René Schirrer) in this scene from Rameau's Les Paladins.

Ach! Hilde, weißt du, daß wir Ratten im Keller haben?

"Blogs are awfully decorative, don't you think?"

A brainy reader points out to La Cieca that her little blog is mentioned this month in The New York Review of Books. The lovely and talented Sarah Boxer discusses a bevy of books on blogs and blogging, modestly mentioning only in passing her own tome on that very subject. As an example of the vast variety of blogs out there, she notes

You can read about the Iraq war from Iraqi bloggers, from American soldiers (often censored now), or from scholars like Juan Cole, whose blog, Informed Comment, summarizes, analyzes, and translates news from the front. For opera, to take another example, you have Parterre Box, which is kind of campy, or Sieglinde's Diaries and My Favorite Intermissions, written by frequent Met-goers, or Opera Chic, a Milan-based blog focused on La Scala (which followed in great detail the scandal of Roberto Alagna's walkout during Aida a year ago).

La Cieca can only say, thank you cher public; without you I am nothing!

Mad about the boy

La Cieca is all for crossover, but...


In response to several questions from commenters, La Cieca will say, no, she does not believe that Vitas takes "the" high e-flat. However, there is another genetic male on YouTube who does have the note: Lallanzinho!

Toy toy toy

The Lego Opera, previously heard performing Il trovatore, has returned with a new and innovative production of Tosca.


Lego bricks outnumber human beings 62 to 1. Did you know that?

Blackout

Don't expect Met HD telecasts to show up on your pay-per-view channel anytime soon. According to the Associated Press, theater owners protested that the release of the telecasts to the In Demand service only 30 days after theatrical release would take revenue away from their broadcasts.

"At least five of the Met's operas this season are to be released on DVD under an agreement with EMI Classics," the story goes on to note. Which five, La Cieca wonders?

Weird sister

The inimitable, irrepressible Miss Tallulah Bankhead once more graces the studio of Unnatural Acts of Opera with a guest appearance on Apocryphal Opera Anecdote Theater. The legendary stage star joins Our Own La Cieca and Miss Cratchitt to perform a pair of scenes from Shakespeare's Macbeth. The main event, of course, is the second and third acts of Verdi's operatic version of the Scottish Tragedy, starring Shirley Verrett, Piero Cappuccilli, Nicolai Ghiaurov and Franco Tagliavini. Conducting this performance from La Scala on December 7, 1975 is Claudio Abbado.

Izzy or izzn't he?

La Cieca's cher public will breathe a sigh of relief when she informs them that internet it-boy Izzy Anderson is, in fact, over 18. According to an email from YouTube impresario Wen Arto, Izzy is 23 and an aspiring performer. Wen continues, "Izzy wants to sing opera very badly but he is busy with ... nursing school."

The email enclosed a few photos of which La Cieca thought this one was the most charming.

Jerry duty

Perhaps the last people in the world still interested in Jerry Springer: the Opera are trying to get together a protest against the January 29 Carnegie Hall concert performance of the "patently obscene and viciously anti-Christian musical." Our own JJ, you know, saw the show in London way back when Jenny Larmore was still fat, and this is some of what he had to say:

... the level of wit rarely rose to that of a “Saturday Night Live” skit. The one-joke concept is tipped off in the title: we hear, for example, a countertenor “chick with a dick” shrieking “Talk to the hand!” in mock-Wagnerian hysteria .... Oh, how the audience roared every time anyone said the f-word, which added up to about 500 laughs in the course of the evening. Among the huge cast, the clear standout was David Bedella (Warm Up Man/Satan), a triple-threat star personality with a seemingly limitless vocal range.

Bedella reprises his role at Carnegie, which is the only reason La Cieca would recommend the show. Well, the only reason besides pissing off Bill Donohue, who apparently has free time on his hands when he's not taking on Trey Parker and Matt Stone, Kathy Griffin, Mike Huckabee and Chocolate Jesus.

La Cieca gives major props to the editor of catholicleague.org, though, for hed writing skillz: "CHRISTIANS SAVAGED AT CARNEGIE HALL" is a grabber!

Don't want to be a prima donna, donna, donna

"Believe you me, there is a lot of drama in the opera world, and you have to rise above it .... I really don't get into the drama. ... I don't cause scandals and I don't throw fits. For me, the thing to be admired is to be on time, be prepared and to give it 100 percent." That's Jennifer Larmore speaking "with a faint Southern accent" to The Cincinnati Enquirer. The mezzo firmly asserts "she's not a diva" in the very first paragraph of the piece.

Interestingly, there are lots of numbers in this article -- such as 500 (times Larmore claims to have sung Rosina), 90 (pounds she has lost in the past four years since gall bladder surgery) and, alas, 15 (top ticket price, in dollars, for her recital tonight University of Cincinnati College-Conservatory of Music; students get in free). La Cieca will to the reader to explain why, sometimes at least, it may better to be a diva after all.

Hunk 10, Tenor 3

A gifted amateur by the name of Izzy Anderson takes on Verdi's Duke of Mantua.


Mr. Anderson is one of the regulars on the must-see Wenarto YouTube site. (That's the celebrated Wenarto himself conducting this selection, though usually he is found center stage.)

Regie on the rocks

You've all worked out that the previous Regie quiz was Don Carlos in the Peter Konwitschny production. So now, how about a few guesses what opera these two photos might represent? (Please, any of you who already know the production, please let the others try to work it out!)

Weekend at Bernie's 2

Bernard Holland of The New York Times attended(?) Saturday night's all-Schubert program at Carnegie Hall, featuring Ian Bostridge, Thomas Quasthoff and Dorothea Röschmann accompanied by Julius Drake. Holland's review ran 468 words, of which barely 100 addressed the performance. Here's La Cieca's analysis.

Spanish inquisition

Given the current lively discussion of Peter Konwitschny's regie of Don Carlos, La Cieca thought the cher public might like to see (and to debate) the "Celestial Voice" scene from this production.

UPDATE: Since the discussion has now broadened to involve the context of this scene, La Cieca has substituted a player with a selection of scenes from this production.

E l'amor uno strano augello

A reader sends us this page from the Los Angeles Opera season brochure for 2008-2009. (Click on the image to enlarge).

La Cieca wonders if perhaps this production was originally planned for Giulietta Simionato and Mario del Monaco...

O brother where art thou

An Italian TV report on the already infamous all-Alagna-all-the-time Orphée.



Now, David Alagna may not be one of the world's great stage directors, but he certainly is among the cutest!

This is my belief, in brief

That grand old man of music André Previn is writing another opera, following up on the clamorous success of 1998's A Streetcar Named Desire. The commission for Houston Grand Opera is Brief Encounter, based on Noel Coward's one-act play Still Life as well as the screenplay for the eponymous film. (First Tennessee Williams, then Noel Coward ... surely a collaboration with Jean Genet is the next logical step!) Well, anyway, the premiere of Brief Encounter, most likely omitting the above imagery, is set for May of 2009. Too long a wait, you say? Well, in the meantime, sit back and enjoy an excerpt from Previn's one universally recognized masterpiece.

Regie, Steady, Go!

Two images from a recent production of ... well, you tell me!




Our previous Regie riddle? It's Tristan und Isolde, of course, directed by "The Cher of Regisseurs," that one-named wonder Rosalie.

Winter storms

"The presence of the voiceless Rosalind Plowright in the supporting role of Gertrude demonstrates the folly of the Met's notoriously Britcentric artistic administration. Surely there are dozens of equally over-the-hill American mezzos who could have shrieked the role just as atonally."

Our own JJ reviews the Met's productions of Hansel and Gretel, Die Walküre and Un ballo in maschera in Gay City News. JJ's previous scribblings in the queer rag be found in the archives for 2007, 2006, 2005 and 2004.

Tit for tat

La Cieca has Maury D'annato to thank for (passively) calling her attention to the blog The Opera Tattler, which in recent days has been detailing next season's plans in San Francisco, Los Angeles, and other opera companies of the Transhudson. (The) Opera Tattler also reviews a lot of West Coast opera, and at least so far as La Cieca has read, his (?) blogatorial voice is either very arch or very sincere, either of which is fine by me. ("However, perhaps I should go to Bayreuth in 2009, since I will have the time," writes the Tattler. How can you not love that?)

More bloggerei (in Italian, but it's penetrable enough) may be found on the wild 'n' wacky site Opéra Bouffe, one of many various efforts by the lovely and apparently tireless Giorgia Meschini. At the moment attention at the Bouffe is split between the"new" Zeffirelli production of Tosca at the Teatro dell’Opera di Roma and the recent purchase of "le boat slippers dell'Adidas, blu e oro. Con 'Respect' stampato sulla linguetta... 'firmate' da Missy Elliott." Bloggy!

Then Opéra Bouffe pointed your doyenne to the utterly necessary Schrott-Locator ™: ¿donde está Erwin?. Even Barihunks doesn't have this level of detail.

Lady Be Good

La Cieca is happy to announce a special performance to mark the return from exile of Unnatural Acts of Opera. Our program is a reprise of the first opera ever podcast on this site, Verdi's Macbeth featuring Shirley Verrett and Piero Cappuccilli. Claudio Abbado conducts the orchestra and chorus of La Scala on December 7, 1975.

Front burner

A legendary Lulu crosses over.

Wait 'til you've refined it

A controversial new production of Massenet's erotically-tinged opera Manon featuring "it girl" soprano Anna Netrebko opened last night in....

Oh, all right. Obviously that's not our Anna. In fact it's ecdysiast Dita Von Teese performing her signature "cocktail glass" strip. The model and performer (whose adorably mousy real name is Heather Sweet) has accepted an invitation to attend Vienna's prestigious Opera Ball later this month as the special guest Austrian businessman Richard Lugner. The 75-year-old real estate and construction mogul takes a celebrity to the glamorous gala every year.

Previous guests of "Mörtel" Lugner have included Joan Collins (1993), Ivana Trump (1994), Sophia Loren (1995), Grace Jones (1996), Sarah, Duchess of York (1997), Raquel Welch (1998), Faye Dunaway (1999), Jacqueline Bisset (2000), Farrah Fawcett (2001), Claudia Cardinale (2002), Pamela Anderson (2003), Andie MacDowell (2004), Geri Halliwell (2005), Carmen Electra (2006) and Paris Hilton (2007).

La Von Teese is known as a retro fashion muse and was briefly married to goth rocker Marilyn Manson.

You love Lucy

La Cieca pulled a string or two and managed to get permission to embed a clip from the VAI Lucia so recently lauded by Our Own Niel Rishoi. Of course YouTube video and audio is severely compressed, but the imaginative viewer will surely get the gist that this is a performance for the ages.

Anna as Anna?

La Cieca is loath to scoop dear Bradley Wilber, but rumors are swirling once again about future seasons at the Met. Perhaps the most controversial (among the cher public, at least) of these plans is a new production of Anna Bolena to open the 2011 season, with Anna Netrebko's pretty head on the chopping block. Further casting at this point is not set, though La Cieca is confident that speculation will run rife in the comments section.

Now, La Cieca is just going to suggest that we all don't go off the deep end instantly and unanimously here, despite what at least some of may regard as perfect justification for doing so.

It does seem apparent that if Netrebko is determined to do bel canto (not saying "should be doing" mind you), then Bolena does make more sense than, say, Puritani or Lucia. Anna (Mrs. Tudor, I mean) relies less on vocal brilliance qua brilliance than those two roles, and the "fiery" character of the rejected queen is the sort of dramatic type that appeals to Ms. Netrebko's lively theatrical instincts. We should also keep in mind that she now has more than three years of lead time and the availability of Scotto as a coach; as such she does have the opportunity to delve beyond a superficial reading of the music. (Again, no guarantees...)

It will also help, I think that the only "obligatory" sopracuto is the D at the end of the first act, a high interpolation so relatively that even Carol Vaness used to sing it.

But let's not get too far ahead of ourselves. Need La Cieca remind any of you that the duration from 2008 to 2001 is the equivalent of a century in Gelb Years. By that time we may end up with Christine Ebersole opening the season in Pikovaya Dama.

Your doyenne further has heard that the title role in Simon Boccanegra (2010-2011?) has been reassigned to Placido Domingo, with Thomas Hampson shifted into a revival of Macbeth -- opposite whom, La Cieca cannot venture to guess, though it's a safe bet the cover will be Cynthia Lawrence. Domingo, La Cieca hears, is already preparing an "out of town tryout" for Verdi's noble corsair with the Boston Symphony Orchestra.

But speaking of Macbeth, La Cieca regrettably has a previous engagement and so will not be able to take in this evening's Lawrence/Ataneli version of the Scottish Opera. Any volunteers to serve as Guest Critic?

...and tenderly beckons, Moby Dick, dearest Moby Dick!

As dear Rosalind Russell used to say, "It's about this whale..."