Villazón out for two months, at least

As La Cieca whispered earlier this week, Rolando Villazón is going to cancel at least the fall portion of his Met Roméo engagement. This morning PlaybillArts.com says the Pittsburgh Post-Gazette is reporting a statement from the Pittsburgh Symphony Orchestra that the tenor is "ill and has been instructed by his doctor to cancel all performances for the next two to three months in order to make a complete recovery."

In happier news, Anna Netrebko's lissome larynx seems to be healing nicely, thank you. The diva (reports PlaybillArts) plans to go ahead with a four-city German tour this month, albeit minus partner Villazón. Subbing opposite the soprano in various venues will be Marcelo Álvarez, José Cura and Ramón Vargas.

Wherefore?

La Cieca hears that Rolando Villazón, who recently canceled his Salzburg Festival appearances citing "long-term illness" ("einer längerfristigen Erkrankung"), may pull out of the Met's fall revival of Roméo et Juliette as well. The tenor is scheduled for five performances of the Gounod opera between September 25 and October 11, followed by another four in December. Matthew Polenzani has already been announced for the final two performances of the run including the New Year's Eve gala. The matinee performance of Saturday, December 15 is scheduled for HD simulcast with Villazón and Anna Netrebko.

Does anyone still wear only one hat?

Iconic Ira Siff temporarily puts aside performing and his busy teaching schedule this summer to direct Cosi fan tutte with the Tanglewood Music Center young artists, in collaboration with Maestro James Levine. The Mozart comedy runs August 11-14. La Cieca further hears whispers that due to the overwhelmingly positive response to Ira's guest appearances on last year's Met/Sirius broadcasts, he will be promoted to co-host status opposite Margaret Juntwait on that series beginning this fall.

N'est-ce plus Manon?

La Cieca hears that Natalie Dessay has walked out of the current Liceu production of Manon, leaving Inva Mula to sing the company's new production of the Massenet opera. (Given the tight stagione scheduling, though, surely they will need another soprano to alternate.) Our insider whispers that la Dessay found Rolando Villazon (Des Grieux) something less than sympathique, in the sense of "it's either him or me."

Bridge

La Cieca hears that Justin Davidson, classical music critic at Newsday for the past decade, is moving over to New York magazine, where he will take over reviewing duties from the departing Peter G. Davis. Davidson's gig will also include writing about architecture.

UPDATED! Start the coronation without me

La Cieca hears that Ruth Ann Swenson has withdrawn from her autumn performances of Agrippina at the New York City Opera.

This just in... "replacing" Swenson will be none other than the legendary Nelly Miricioiu! The Romanian diva assoluta is seen here in a 2003 performance of Anna Bolena.

Crones on notice

A Met insider whispers that new chorus director Donald Palumbo, recently praised to the skies for his "tireless" efforts on Orfeo, may not want to stay tired for long. According to our source, “warning of vocal deterioration” letters have already been drafted to be sent to several members of the Met regular chorus, especially in the notoriously wobbly soprano section. Apparently, this warning letter is the first step in a lengthy contractural process of weeding out unacceptable voices. (Ironically, by the time arrives for Palumbo to rehearse the witches' choruses in Macbeth next season, he may already have fired at least some of the Met's worst crones.)

Continues our spy, "Not a surprising move, but one taken earlier than I would have thought in his tenure, since [Palumbo's] tenure really hasn’t started yet. But thank Goddess for it – the soprano section has been a mess for quite a while."

Wie alles war, weiss ich; wie alles wird, wie alles sein wird

The Met's press office just sent this out:

New York, NY (May 8, 2007) - Bizet's Carmen with Russian mezzo-soprano Olga Borodina in the title role will be revived during the Met's 2007-08 season, replacing the previously announced performances of Offenbach's Les Contes d'Hoffmann. The change in repertory is due to the decision by Argentine tenor Marcelo Álvarez to retire the title role of Hoffmann from his repertory. Mr. Álvarez will instead make his Met role debut singing Don José in Carmen opposite Ms. Borodina. Nancy Fabiola Herrera will sing the title role in one performance. Krassimira Stoyanova sings the role of Micaëla at the Met for the first time. Emmanuel Villaume conducts all eight performances from February 4 to March 1, 2008.

Told you so.

"Tales" untold

La Cieca hears that the Met will scrap next season's revival of Les Contes d'Hoffman (scheduled for February-March 2008) in favor of Carmen. A well-informed source suggests that the switch will be done at the behest of tenor Marcelo Álvarez, who would have sung the title role in the Offenbach but will now perform his first local Don Jose. Opposite Álvarez will be the familiar but always welcome Carmencita of Olga Borodina.

She never does anything twice

La Cieca is totally in awe of the insightful (and totally enjoyable) reporting her baby sister OperaChic is doing on the most recent Angela Gheorghiu scandale. In what La Cieca chooses to regard as an early 50th anniversary hommage to one of the most infamous moments in the career of Maria Callas, la Gheorghiu has, yes, walked out of a production at the Rome Opera. It seems that at the prima, Renato Bruson took a bis of "Di provenza," which (so OperaChic whispers) the soprano interpreted as an act of war. Gheorghiu obtained a doctor's certificate and canceled her second (and final scheduled) performance.

Permit La Cieca to say: maybe this is why they stopped allowing encores in the first place.

But enough about me

Our editor JJ chats with the lovely and talented Mona de Crinis in an interview for the Palm Springs Bottom Line, a publication whose title contains so many double entendres La Cieca lost count. Thrill yet once again to the saga of parterre box, the little zine that could, and JJ, the editor who would. And did. (Frequently.)

Third base

La Cieca hears that the Met's new production of Il trittico will return in 2010, starring Patricia Racette as the three heroines.

Great minds

La Cieca has heard from two independent sources who attended today's dress rehearsal of Il trittico at the Met, and the word they both use to describe the show is "wonderful." Production values are lavish yet true to the works, the singing is never less than "very fine" and the orchestra under Maestro Levine sounds "superb." Highest praise went to Maria Guleghina (Giorgietta) and Stephanie Blythe (all three leading mezzo roles, but especially La Zia Principessa). Friday night will likely be a long evening (the rehearsal ran four hours), but the buzz so far is that Il trittico will be "the highlight of the season."

Give me my robe...

La Cieca has just heard that the 2007 Richard Tucker Award winner is tenor Brandon Jovanovich, pictured here at a concert given recently in honor of long-time Tucker colleague Eleanor Steber.

Career Grant winners for 2007 are Meredith Arwady, contralto; Jason Collins, tenor; and Stephen Costello, tenor. La Cieca regrets to inform you that she does not have any photos of Mr. Costello in a towel at the moment, but, after all, summer is just around the corner.

Ruth's no stranger to friction

DRAMA on the front page of today's NYT Arts section! Ruth Ann Swenson comes out swinging at the Met for "snubbing" her in favor of younger and less zaftig artists. Her current run of Cleopatras in Giulio Cesare is her final contact with the Met*, apparently the end to a 20-season career there spanning over 225 performances.

And now La Cieca is going to throw this one open to discussion from the floor!

CORRECTION: Swenson is also contracted to sing Violetta during the Met's 2007-2008 season.

Semi-ubiquitous

Our editor JJ's busy week included a review of the Met's Aegyptische Helena in Gay City News, and that panel La Cieca has been yammering about all week. As his presentation on the topic "Opera and Technology," JJ introduced this little documentary about your own La Cieca.

Event horizon

Now that we all know what's what for the Met's 2007-2008 season, surely it's time to start speculating about what comes after, right? Well, La Cieca has been in touch with her stable of reliable sources, and what she has heard is more than a little intriguing. N.B. All this is as heard, of course, not an official announcement...

Opening night 2008 will be a Renee Fleming gala showcasing The Beautiful Voice in acts from La traviata, Manon and Il pirata. Also in the season's opening weeks: Karita Mattila returns in Salome, Anna Netrebko and Rolando Villazon team for Lucia (HD simulcast for sure!), La Gioconda with the triple-diva goodness of Deborah Voigt, Olga Borodina and Ewa Podles, plus, for a little 21st century flava, the Met premiere of John Adams' Doctor Atomic featuring Audra MacDonald.

At the other end of the season, late spring 2009, the last revival of the rocks-n-rags Ring with James Levine conducting (start queuing for that one now) and the debut of DGG "It Girl" Elina Garanca in Cenerentola. In between, some hot tickets and some Sternstunden:

• La sonnambula (Natalie Dessay/Juan Diego Florez)
• Thais (Fleming/Thomas Hampson)
• Rusalka (also Fleming)
• La rondine (Angela Gheorghiu/Roberto Alagna)
• Tristan und Isolde (Daniel Barenboim)
• Eugene Onegin (Mattila/Hampson)
• Cav/Pag (Alagna in both operas)

There's more (a lot more) of course, but La Cieca hopes this is enough to get the conversational ball rolling.

The dotted line has been signed

The New York Times reports that Gérard Mortier will become general manager and artistic director of the New York City Opera in 2009. Of course, you already knew that, didn't you?

Hello, Mister Wilson!

The most startling news from tomorrow's press conference at the Met (as released early to the New York Times) -- in 2011, a new production of Bellini's Norma, starring Renee Fleming and directed by Robert Wilson. The casting of Cecilia Bartoli as Adaligisa is La Cieca's own whimsy, but, hey, stranger things have happened. (For example, a Wilson/Fleming Norma...)

UPDATE: The role of Adalgisa in the Fleming/Wilson Norma scheduled for 2011 will not, as La Cieca puckishly suggested, be sung by Cecilia Bartoli. In fact she has just been informed by one of her most impeccable sources that the part will go to Elīna Garanča.

And in other exclusive Decca recording artist/avant-garde legend related news, the Schwartz gallery at the Met is awaiting installation of a Robert Wilson "video portrait" of La Fleming. La Cieca will inform you when the Wilson film makes it on to YouTube.

Huis clos

Now who, of all people, do you think spent all day today in a hush-hush meeting with George Manahan over at the New York City Opera? (Do you remember the New York City Opera? It's that other company in Lincoln Center, the one people used to pay a lot of attention to before Peter Gelb took over the Met.) But back to the subject at hand. Manahan's all-day tête-à-tête partner was Gérard Mortier, so La Cieca hears. And so La Cieca repeats, though for the life of her she can't figure out what this is all about. Unless it's the sharing of lousy Francesca Zambello productions between now and 2009, when Mortier departs the Paris Opéra. Or might it have something to do with the years following 2009?

OONY thing goes

UPDATE/CORRECTION: La Cieca has just been informed that Mark Risinger (the scheduled Marco) was ill yesterday and his cover, Brian Kontes, sang in his place. There was no announcement made.

La Cieca's spy at the dress rehearsal of L'arlesiana whispers:

Mr. Filianoti muffed the interpolated high note in the famous aria but it was 11:30 a.m. Other than that he used his sweet, compact voice to give a lesson in Italianate singing and in the use of every penny of the vocal interest and not a cent of the principal. And Ms. Cornetti is the real deal -- plenty of molten sound to get past that verismo orchestra on stage with her and the use of a Simionato-like mix on the bottom to score many points, indulging in full chest only occasionally. Too bad there is nothing to equal "Acerba volutta" to get her a more proper response during the opera itself. The Baldassare and Metifio were interesting studies in vocal production. Weston Hurt as the old shepherd owns an attractive sound with an easy top with a lot of "fly" but not enough presence in the middle for a versimo part of this sort. The Metifio, Ihn-Kyu Lee, resorts to a lot of grab to try to cut through the orchestra but then has a top with very little freedom, though he is big on sneering malice. The Vivetta, Latonia Moore, has a voice best described charitably as "dusky..." If she can leap to the top or pick it out of the air she does have a nice party-trick pianissimo (because the sound is so far back). In the brief role of Uncle Marco, bass Mark Risinger Brian Kontes contributes four minutes of pure professionalism and geniality. Ms. Queler is her usual self and the orchestra plays fairly well if not subtly.

No time for "Tragedy"

La Cieca has just heard from one of her myriad of reliable sources that the Met's surprise box-office smash of this season, The First Emperor, will return in the spring of 2008. In order to make room in the schedule, a projected revival of An American Tragedy has been 86ed.

Cessarono gli spasmi del dolore?

A highly-placed source for Opera Orchestra of New York has expressed the hope that all is not quite lost for the company. In an email sent to a long-time supporter of OONY this morning, the source concedes "big problems because of the dramatic drop in box office" and admits the board is "hard pressed to make up the difference." OONY is is "sure of one opera next year," we are told, but they are "not sure about the other two evenings." The source further suggested that very strong ticket sales for the upcoming L'arlesiana might rescue the 2007-08 season.

UPDATE: An OONY spokesperson confirms that the company has scheduled Bellini's La sonnambula (featuring the well-received tenor Dimitry Korchak from this year's Dom Sebastian) for February 27, 2008 and promises that further plans will be announced "very shortly." Meanwhile, La Cieca has heard that one possible event for OONY's next year would be a gala concert headed by Marcello Giordani and Aprile Millo.

Eve at Twilight?

UPDATE: Opera Orchestra of New York music director Eve Queler has confided the sad news that the company is closing its doors permanently at the end of the current season to cast members of the upcoming L'arlesiana, La Cieca has just heard.

Queler has reportedly spilled the beans to at least one other OONY mainstay, a superstar tenor who (La Cieca hears) is toying with the idea of organizing a gala fundraiser to rescue the company.

When asked to comment on Opera Orchestra's future, press representative Aleba Gartner replied via email "All I can say right now is that OONY will be announcing plans for next season shortly."

La Cieca reported last night that she had just heard "something pretty startling" -- that Opera Orchestra of New York will shut down permanently after this season. According to our source, the board of directors of the company have already made the decision; all that remains is to complete the 2006-2007 program with L'arlesiana on February 21.

In its 35 year history, OONY has presented the American premieres of Puccini’s Edgar, Boito’s Nerone, Smetana’s Libuse and the Russian language version of Tchaikovsky’s Orleanskaya Deva, marking the American premiere of the Russian language version of this opera.

OONY has also presented such rarities such as Wagner’s Rienzi; Verdi’s I Lombardi, I masnadieri, Aroldo, and La battaglia di Legnano; Bizet’s Les pêcheurs de perles; Catalani’s La Wally; Meyerbeer’s L’Africaine, Les Huguenots, and Robert le Diable; Berlioz’ Lélio and Benvenuto Cellini; Smetana’s Dalibor; Donizetti’s La Favorita; Zandonai’s Francesca da Rimini; Dvorak’s Rusalka and Mussorgsky’s Khovanshchina.

Voce di primavera

La Cieca has just heard the delightful news that her #1 favorite singer of all time, Renata Scotto, will grace the airwaves as Quizmistress during the Met broadcast of Il trittico on April 28.

I want to dish a prima donna, donna, donna

Which diva has been secretly married for over a year to a male model barely half her age?

Which diva (not the same one) is in talks to return to the Met in the same fach she "abandoned" over a decade ago?

Which diva (neither of the above) seems to be inching her way out of the closet, if her most recent biographical information is to be believed?

After the ballo

... is over, you can hear a performance of the winning entry in the Madlib challenge, devised and written by the lovely and talented Le Cerf Agile and performed by the Apocryphal Opera Anecdote Theater of the Air Players. The actors have informed La Cieca that they are honored to be performing such top-notch material, and La Cieca has replied "How lovely for you" or words to that effect. Le Cerf and the other four winners should keep an eye on the mailbox for their rewards in the form of historic opera DVDs. Also on the latest episode of Unnatural Acts of Opera, the aforementioned third act of Un ballo in maschera and a wild rant by your doyenne on the subject of the Met's Jenufa.

Le nozze di Basilio

Tenor Hugues Cuenod will get married early this year, La Cieca hears. Under a a new law legalizing same-sex unions in Switzerland, the veteran artist (age 104) and his long-time partner, a retired diplomat, have decided to tie the knot. Date and location are undisclosed at the moment.

Weekend roundup

Future plans for ur-diva Ewa Podles include Azucena in Il trovatore at Caramoor (July 2007) with Julianna D’Giacomo, Simon Neill, Daniel Sutin and Daniel Mobbs; then Orsini in Lucrezia Borgia in the spring of 2008 opposite Edita Gruberoba, Jose Bros and Ildebrando D’Arcangelo.

A company debuts in Manhattan when Ottocento Opera presents a concert of arias and songs by Giovanni Pacini and Saverio Mercadante on Sunday, February 11 at 7:00 PM. The venue is Christ & St. Stephen's Episcopal Church at 120 West 69th Street. For more information, email [email protected].

A propos of the death of Gian Carlo Menotti, an essay from the G. Schirmer web site by Paul Wittke. Actually it's specifically about Samuel Barber, but it does dwell at some length on the composers' romantic relationship.

The Verdi is always greener

La Cieca's cher public are, as in so many aspects of their existence, well ahead of the curve on foreknowledge of casting at the Met in the bel canto and German wings. Perhaps this wintry Friday is a good time to move on to a more semi-substantiated gossip, now on the subject of the operas of Giuseppe Verdi. (Do keep in mind that none of this is set in stone. In fact, given the Gelb administration's penchant for last minute switcheroos, one should probably hold off on booking tickets for 2012 until, oh, 2011 at the earliest.) But, anyway, herewith a few possible highlights of the next five years:

Next season's hot ticket will surely be a rare revival of Ernani starring Marcello Giordani, Sondra Radvanovsky, Thomas Hampson and Ferruccio Furlanetto. That certainly sounds more fun than the new Macbeth "starring" Andrea Gruber, Leo Nucci. Carlos Alvarez, Marco Berti and Roberto Aronica. Will anyone be surprised at massive audience attrition following the second-act demise of Banco (John Relyea/Rene Pape)? Fans of Mr. Berti (if such there be) may expect to hear him as well in revivals of Ballo (shared with Salvatore Licitra, and featuring Dmitri Hvorostovsky's first local Renato) and Aida (alternating with debutant Nicola Rossi-Giordano in an otherwise dismal cast). Renee Fleming offers repeat engagements of La traviata and Otello, with Ruth Ann Swenson optimistically double-cast as Violetta and Johan Botha as the Moor.

Rumors of Ms. Radvanovsky's "buyout" should be dismissed once and for all since she is on the books for two high-profile assignments in 2008-2009, a new Trovatore (opposite Mr. Lictira) and her first in-house Traviata (alternating with Anja Harteros). Those two up-and-coming tenors Giuseppe Filianoti and Joseph Calleja share Duca duties in a Rigoletto otherwise notable only for Diana Damrau's Gilda. And speaking of tenors, Placido Domingo is supposed to cross over to the bass clef for the title role in Simon Boccanegra, but La Cieca will believe that when she hears it.

The big news of '09-'10 is the Met debut of Riccardo Muti leading the company premiere of Attila. There will be singers as well in this production, notably Violeta Urmana and less notably Ramon Vargas, C. Alvarez and Ildar Abdrazakov. Mme. Urmana will also join two other golden-age physiques, Dolora Zajick and Mr. Botha, for Aida. La Radvanovsky's career continues full-tilt in a revival of Stiffelio heavy on hunk-appeal (Jose Cura and Mr. Hvorostovsky), and the Gruber doesn't seem to be going away either: she's up for a repeat of Nabucco.

As we move into the twenty-teens, we can foresee new productions of La traviata (with Anna Netrebko and Rolando Villazon in the Willy Decker update) and Don Carlo (probably not with Angela Gheorghiu, though the rest of the cast seems firm enough: Mr. Villazon, plus Luciana D'Intino, Simon Keenlyside/Anthony Michaels-Moore, Rene Pape. Antonio Pappano and Nicholas Hytner will reprise their Covent Garden duties. Also: revivals of I Lombardi (Giordani) and Il trovatore (Fleming). That year may also see Mr. Hvorostovsky's Boccanegra.

The "jackpot" year of 2012 is still pretty much up for grabs, La Cieca hears, with only Falstaff (Bryn Terfel, James Levine) a definite maybe.

A pretty girl is like a melody

This just in: soprano Elizabeth Futral, currently Tan Dunning it in The Last Emperor, will sing the final Met performance of Puritani this season on February 15.

Headline of the year for 2006

"Opera that depicts Bush, Blair dancing in underwear is canceled."

From the Associated Press.

And while we're on the subject, the scene in question (from Robert Carsen's production of Candide, which will not be seen at La Scala in 2007.)

Bel canto lushinghier

La Cieca thought that now that Puritani has opened at the Met, it's as good a time as any to review the company's (rumored) bel canto plans for the next five years or so. Remember, everything in this life is uncertain, so please regard these "predictions" as the gossip they are.

Anyway, La Cieca hopes you'll find plenty of fodder for discussion in the following grafs.

Next season (as you all know) opening night will be a new production of Lucia di Lammermoor starring Natalie Dessay. Sharing the role of Edgardo will be a trio of toothsome tenors: Marcello Giordani, Marcelo Alvarez and Giuseppe Filianoti. Further upping the hunk quotient will be Mariusz Kwiecien and John Relyea. The Mary Zimmerman production will be led (on opening night at least) by James Levine.

Per La Cieca's sources, Mad Lucy will pay a couple of return visits in following seasons, first with Anna Netrebko and Rolando Villazon in the fall of '08, and then with Mlle. Dessay again sometime in 2010. Ze French diva gets the unusual honor of opening two new productions next season, the Lucia, of course, and then a new Fille du Regiment opposite puppylicious Juan Diego Florez.

JDF and Dessay reunite in the fall of 2008 for a new Sonnambula. The tenor will reprise his Tonio during the 2009-2010 season, this time with Diana Damrau as Marie. And that pairing will be repeated in the Met premiere of Rossini's Le Comte Ory the following season.

Now, jumping back to 2009 again, that's when the new production of Rossini's Armida is skedded, featuring of course Renee Fleming and (among other tenors) Eric Cutler.

And then comes 2012, aka "The Year of the Jackpot," when just possibly we will hear the Tudor Trifecta (Fleming, Netrebko and Angela Gheorghiu) as well as a new Giulliame Tell (presumably for Giordani) plus revivals of L'elisir (Netrebko, Florez, Kwiecien), L'italiana and Semiramide.

Oh, and for Druid fanciers, the outlook is not quite so rosy: a single revival of Norma next season with Dolora Zajick, Maria Guleghina and Franco Farina -- or, as Mme. Vera Galupe-Borzkh might sum it up: "Can Belto, Can't Belto and Can't Canto."

Cieca plays Criswell

This is the biggest limb La Cieca has ever gone out on:

Expect James Levine to make his official Met farewell at the end of the 2011-2012 season. (First hedge on this prediction: Levine will make occasional "guest" appearances with the Met after 2012.)

Remember, you heard it here first.

Soon and later

UPDATE: Gregory Kunde is now listed on the Met's site for the prima of Puritani.

La Cieca hears that Eric Cutler did not sing the dress rehearsal of Puritani (anyone there to confirm/deny?) and, though his name's still on the Met's site, he won't go on for the prima Wednesday. Thoughts?

And the tittle-tattle about (of all things) the 2012 Met season continues to filter in. The latest: the Donizetti "Tudor cycle" shared amongst Angela Gheorghiu (Anna Bolena), Anna Netrebko (Maria Stuarda) and Renee Fleming (Roberto Devereux [??!!]). All that, plus new productions of Guilliame Tell and Rienzi. Or, on the other hand, Earth may collide with a giant comet, so hold off on locking in the dates quite yet.

It's a dessert topping, you cow!

The miraculous properties of the Gelb-era Met begin to rival those of the legendary aerosol product Shimmer. In the future, it seems, the Met will be both a floor wax and a dessert topping. For example, it has been rumored that a new production of Il trovatore would star (depending on who was telling the tale) Sondra Radvanovksy or Renee Fleming. Ha, ha, you're both right! If the information La Cieca hears is accurate (and when is it not?), Radvanovsky will sing the prima of the new production; then Fleming will star in the first major revival, perhaps with a telecast thrown in.

The same informant who tossed La Cieca this tidbit went on to say that the reports of la Radvanovsky's "buyout" at the Met were greatly exaggerated: the soprano, we are told, will perform revivals of Stiffelio and Traviata in coming seasons.

Science fiction

In the year 2012 we will all have robot servants to organize our collections of antique CDs!

In the year 2012 we will complain about the mediocre sound quality of holographic opera telecasts!

In the year 2012, stem cells will be used to used to regenerate node-infested vocal cords.

Oh, and did I mention that in 2012 Cristina Gallardo-Domâs will sing Menotti's Saint of Bleecker Street at the Met?