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opera from a certain point of view
Robust possibilities

Anna Pirozzi / Photo: Charl Marais

Robust possibilities

After success at the Met as Turandot and before a historic Medea, soprano Anna Pirozzi talks to Harry Rose about her voice, her repertoire, and where her "second explosion of career" is taking her.

Rubber soul

Video Artists International brings us back to a time when opera was carried over the airwaves by great voices—and a tire company.

Rubber soul

Photo c/o the Firestone Archives

Frau Miina-Liisa will es werde Nacht

Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.

Frau Miina-Liisa will es werde Nacht

Karen Cargill and Miina-Liisa Värelä

Reviews

Fifty percent illusion

Photo: Eric Woolsey

Fifty percent illusion

Opera Theatre of Saint Louis does its best to give magic in its summer productions of Roméo et Juliette and A Streetcar Named Desired. 

Super rich kids

Super rich kids

Wolf Trap Opera triumphs in a fizzy, fun Cenerentola.

A game of hoarse

Photo: Max Franz

A game of hoarse

Baltimore Symphony Orchestra’s concert Rigoletto hits some vocal turbulence

Talk of the Town

Sena Jurinac should have made it to the Met

Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.

Sena Jurinac should have made it to the Met

Janet Baker should have made it to the Met

The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.

Janet Baker should have made it to the Met

Dorothy Maynor should have made it to the Met

We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.

Dorothy Maynor should have made it to the Met

Leyla Gencer should have made it to the Met

Leyla Gencer had a long European career but never sang at the Met.

Leyla Gencer should have made it to the Met

Hina Spani should have made it to the Met

A full century after her heyday, Argentine soprano Hina Spani still moves us thanks to her vivid recordings and the savants who have cherished and shared them.

Hina Spani should have made it to the Met

Broadcasts & Live Chats

For you tender shut ins who prefer opera from a distance, Parterre Box hosts live chats during broadcasts and livestreams.

Are you an opera newbie lookin’ to listen and learn? Or maybe an overly articulate know-it-all wanting to indulge your fantasy of an anonymous 12-way with people who couldn’t possibly understand you?

Well that must suck. But you’re welcome to join us anyway.

In the spirit of AOL circa 1998, here are some upcoming chances to clique and claque:

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Do you have questions, tips, suggestions, gripes, or story ideas?
Email us if you must: [email protected]

Ciao for now!
Nick Scholl
Publisher, Parterre Box