parterre*inbox
opera from a certain point of view
Road shows

Photo: Kristen Loken/San Francisco Opera

Road shows

Brendan Latimer hitches a ride with members of the "site-responsive opera" movement who are taking their shows out of the opera house — and out of the box.


Golda Schultz Sings Barber & Stravinsky

Soprano star Golda Schultz sings Barber’s Knoxville: Summer of 1915 — a haunting evocation of childhood memories — plus arias by Stravinsky and Carlisle Floyd. Enjoy a night of beautiful, moving music! Use promo code SCHULTZ35 for 35% off tickets. April 8—10.

Get Tickets Now »


Life imitates art

With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic's upcoming operatic engagements.

Life imitates art

Photo: Operafashion

Reviews

Hit me with your best Shoshty

Photo by Iko Freese

Hit me with your best Shoshty

Barrie Kosky’s zany production of The Nose time-steps back onto the Komische Oper Berlin stage.

Suffering a sea-change

Suffering a sea-change

Calixto Bieito's production of Idomeneo at La Monnaie is anchored by a committed cast, but gets swept up in pseudo-psychoanalytic imagery — and foot fetishism.

Which witch?

Photo by Scott Schuman

Which witch?

Washington National Opera offered a searing production of Robert Ward’s opera The Crucible, directed by WNO Artistic Director Francesca Zambello, as the second installment in the company’s next chapter.

Follow the signs

Photo by Lawrence Sumulong

Follow the signs

Opera directors could learn a thing or two from Deaf Broadway's vivacious performance of Jeanine Tesori's Violet.

Gild the Lily

Photo by Ken Howard

Gild the Lily

Lisette Oropesa, Piotr Buszewski, and Luca Salsi feature in a rote revival of Michael Mayer's cloying production of La traviata.

Talk of the Town

A favorite bass performance from Michael Anthonio

As a (former) bass singer myself, I've always been captivated by this aria.

A favorite bass performance from Michael Anthonio

A favorite performance from Margarete Cum Klose

Pure class. Kurt Moll really knew his own voice inside out.

A favorite performance from Margarete Cum Klose

A favorite bass performance from Christopher Corwin

As we reach the end of “Bass Month” I’d like to call attention to the superb American Gregory Reinhart who particularly shone in music by Jean-Philippe Rameau.

A favorite bass performance from Christopher Corwin

Broadcasts & Live Chats

For you tender shut ins who prefer opera from a distance, Parterre Box hosts live chats during broadcasts and livestreams.

Are you an opera newbie lookin’ to listen and learn? Or maybe an overly articulate know-it-all wanting to indulge your fantasy of an anonymous 12-way with people who couldn’t possibly understand you?

Well that must suck. But you’re welcome to join us anyway.

In the spirit of AOL circa 1998, here are some upcoming chances to clique and claque:

Support Parterre Box

We’ve kept opera’s liveliest publication free and independent for over 30 years. No paywalls, no institutional backing, no bootlicking.

We also pay our writers—a rarity in arts journalism, but we think it matters.

Your monthly or one-time support keeps the lights on and ink wet.

Donate Now

Do you have questions, tips, suggestions, gripes, or story ideas?
Email us if you must: [email protected]

Ciao for now!
Nick Scholl
Publisher, Parterre Box