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opera from a certain point of view
Women’s liberation

Franz Welser-Möst and Asmik Grigorian in the Verdi Requiem at Carnegie Hall / Photo: Chris Lee

Women’s liberation

Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.

Ash and you shall receive

La Cenerentola at the Opéra national de Nancy / Photo: Simon Gosselin

Ash and you shall receive

Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini's La cenerentola.

When her ship comes in

Lise Davidsen and Clay Hilley in Tristan und Isolde / Photo: Sergi Panizo

When her ship comes in

Anticipating the titanic arrival of Lise Davidsen's Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.

Opera Lafayette's Queen of Hearts

A Valentine’s Day Revel

February 12 in DC | February 14 in NYC

“An expert in 18th Century style” – The New Yorker

Celebrate love in all its guises through tender ballads, amorous duets, cheeky verses, and bawdy drinking songs, all curated by Guest Conductor Nic McGegan, “an expert in 18th Century style” (The New Yorker). Renowned for his musical wit, McGegan will lead Baroque Diva Maya Kherani, tenor James Reese, and the critically-acclaimed Opera Lafayette Chamber Orchestra.

Savor food, craft cocktails, and wine in homage to Bacchus.  In Washington DC, wine will be provided by 2023 Michelin-guide Washington, DC Sommelier of the Year Sarah Thompson (Queen’s English). In New York City, signature cocktails will be provided by noted NY mixologist Alex Dominguez (Bar Calico). TICKETS ARE ALMOST GONE!

NYers: Use Promo Code PARTERRE10 for 10% off tickets to NY show only!

Get Tickets Now »


STEMdiva status

Ahead of a special boozy, bawdy Valentine’s Day concert, artistic director of Opera Lafayette Patrick Quigley speaks with soprano Maya Kherani about her journey from MIT to rising American Baroque star.

Reviews

A lady of coarse and vulgar inclinations

A lady of coarse and vulgar inclinations

A stark, sweltering performance of Lady Macbeth of Mtsensk shocks the Komische Oper Berlin.

Nature boy

Photo by Herrwig Prammer

Nature boy

With Siegfried, the directorial vision of the Paris Opera's Ring cycle finally takes root.

A ruckus in Kaunas

Dmitrijus Matvejevas

A ruckus in Kaunas

Ponchielli goes east with mixed results in I Lituani.

Methinks the lady doth protestant too much

Methinks the lady doth protestant too much

Old pros Gregory Kunde and Pier Luigi Pizzi anchor a new staging of Stiffelio co-produced by three theaters in Emilia-Romagna.

The snows that lie on the mountains of Judaea

Photo by Kyle Flubacker

The snows that lie on the mountains of Judaea

Salome sweeps in like a storm at the Lyric Opera of Chicago.

Talk of the Town

The 2018 Macbeth is so overrated

I don't know if it's overrated because I don't think anyone rates it, but for pure party disc joy not much beats this 2018 recording of the original 1847 version of Verdi's Macbeth.

The 2018 Macbeth is so overrated

This 1955 Eugene Onegin is so overrated

This is the classic Onegin and there's much to love, especially from Khaikin's sensitive conducting and Lemeshev's ideal Lensky.

This 1955 Eugene Onegin is so overrated

The best thing I saw in 2025 was Echo 72

An opera about the massacre of Israeli athletes at the 1972 Munich Olympics was never going to be an easy task.

The best thing I saw in 2025 was Echo 72

Photo: Sandra Then

The best things I saw in 2025 were Parsifal and The Monkey King

Both performances moved me profoundly and served as a form of catharsis, ending a challenging 2025 with a glimmer of hope for the future

The best things I saw in 2025 were Parsifal and The Monkey King

Cory Weaver/San Francisco Opera

The best thing I saw in 2025 was La sonnambula

Easily the Met's new Sonnambula, where cast and production team delivered a gorgeously sung and well thought out concept for a libretto often derided for its simplicity.

The best thing I saw in 2025 was La sonnambula

Nadine Sierra as Amina and solo dancer Niara Hardister in Bellini's "La Sonnambula." Photo: Marty Sohl / Met Opera

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Ciao for now!
Nick Scholl
Publisher, Parterre Box