"Congratulations to James Jorden and parterre box for proving that frankness and spunk still have a place in operatic criticism."   -- Astrid Varnay

"I enjoy the playfulness and creativity of the commentary, though sometimes I'm happy I'm not on the receiving end!"   -- Catherine Malfitano

"Opinionated and raucously accurate"   -- The Christian Science Monitor
 
 

"Vastly iconoclastic, often persuasive, extraordinarily erudite, outrageously subjective criticism."   -- Martin Bernheimer, The Financial Times

"Wickedly witty. . .certainly better informed than any other opera publication in English right now."   -- Peter G. Davis

"... a biting, often bitchy roundup of raves, rants, reviews and gossip that's read by everyone who's anyone in opera."   -- Barbara Hoffman, The New York Post 

"Infamously hilarious!"    -- Stephanie von Buchau

"... flamingly opinionated ... ground zero for all real connoisseurs of 'the demented art'."   -- David Noh, The New York Blade

"A pungent mix of operatic gossip, reviews, editorializing, interviews and unexpurgated humor .... No other periodical offers such unbridled, inspired enthusiasm for what is great in opera or such fearless scorn for the truly awful."   -- Joshua Kosman, San Francisco Chronicle 

"Fabulous! I read each issue, every word. Yours is the smartest and most freshly partisan commentary on contemporary opera performance. If only Opera News had half the punch of parterre box!"   -- Wayne Koestenbaum, author of The Queen's Throat 

"...the hottest, most outrageous, most subversive, and often the most perceptive publication on the performing arts scene today .... the cognoscenti of the opera world wait breathlessly for the next edition."    -- Allan Ulrich, The Advocate

"Devoted to all that is dirty, salacious, madcap, egotistical, filthy, horrendous, over-the-top, disgusting, awesome and lovable about opera.... No opera queen can live without this."   -- Chris Culwell, The Bay Area Reporter