Cher Public

Kevin Fullerton

Pièce de résistance

Bartoli NormaAfter enduring a pitiful performance of Verdi’s Aida at one of Italy’s most beautiful opera houses—Napoli’s Teatro San Carlo—in an ugly, mindless production performed in the “any arm you can raise, I can raise higher” style of acting, I was hopeful that my next operatic engagement would offer greater rewards: Norma at the Edinburgh Festival.  Read more »