Headshot of La Cieca

Cher Public

  • ML: Vociaccia, I agree completely. 6:06 AM
  • ML: Justin Davidson, below, tackles the Klinghoffer controversy better than others I have read.... 5:59 AM
  • Baltsamic Vinaigrette: Thank you as ever, WCO. Guy Chauvet is not the only notable French musician born on... 5:37 AM
  • Cicciabella: Here’s another thinking reviewer/bowling pin knocked over by Ms Netrebko: http://tinyurl... 3:25 AM
  • Feldmarschallin: I am wondering if perhaps Mrs. Claggart and I were at that same Salome since I also heard... 2:55 AM
  • m. croche: Happy birthday, Frantisek Tuma! httpv://www.youtub e.com/watch?v=7YgN rEyKtNo httpv://www.you... 2:55 AM
  • Feldmarschallin: Borodina was absolutely atrocious in the Rückert Lieder on Monday. She looked like she was... 2:51 AM
  • Bill: Feldmarschallin – Vienna used to have closed performances as well several in a season. Or once... 12:12 AM
  • mia apulia: Hell, the voice was certainly grand, the presence was grand, and the musicianship was grand. Why... 11:58 PM
  • mrsjohnclaggart: Wonderful! But Of course, Flo! I saw Leonie Rysanek do exactly the same thing to Mara... 11:46 PM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.