Headshot of La Cieca

Cher Public

  • La Valkyrietta: manou, Yes, a danger. Anyway, originally on Broadway the lyrics went, “If she is... 1:23 PM
  • Grane: PS–congratul ations, Sanford! 1:14 PM
  • Grane: So did anyone hear Anna in Four Last Songs? I love her voice and her commitment, but I do think you... 1:14 PM
  • manou: Much as I enjoyed the return of the prodigal marshie, I am now worried because sleeping in all those... 1:07 PM
  • La Valkyrietta: “If she is wearing silk and satin she can flatten any Latin…” ;... 1:03 PM
  • kashania: I was quite impressed by Sancho Panza’s aria when I heard Quinn Kelsey sing it in Toronto. I... 12:58 PM
  • kashania: I foresee a Netrebko/Kaufmann/ Garanca Aida either in Vienna or Salzburg within the next 5-6 years. 12:56 PM
  • DellaCasaFan: I’ve been on my Bruna Rasa trip since last night, Mascagni’s favorite Santuzza for... 11:18 AM
  • Feldmarschallin: She also will be doing Eboli at BSO. 11:17 AM
  • Cocky Kurwenal: She’s doing Santuzza this coming season, which I imagine is a first step in the... 11:01 AM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.