Headshot of La Cieca

Cher Public

  • basso profundo: Not exactly news to stop the presses but last night during Botha’s intermission... 4:54 AM
  • La marquise de Merteuil: I heart Nay-Nay and Ne-Ne – the two of them together = Heaven! 4:49 AM
  • Lohengrin: What do You think about Maltman as Jago? 3:25 AM
  • joggerboy: I dunno, but I’ve always had a soft spot for the good old Witwe, and I think that... 3:17 AM
  • m. croche: For New Year’s, a seksy “Les Aventures du Roi Pausole”. Not family fare, though. 2:57 AM
  • Guestoria Unpopularenka: I can already picture Schwarzkopf criticizing his inaudible final consonants. 2:14 AM
  • Guestoria Unpopularenka: But Albanese is from la tua Puglia. 2:05 AM
  • Buster: httpv://www.youtub e.com/watch?v=djan 29EbRMg 2:04 AM
  • Guestoria Unpopularenka: httpv://www.youtub e.com/watch?v=YSvW HvPjybE 1:40 AM
  • mia apulia: taste and perception on any given day is a funny thing–I find Albanese here unbearable, and... 1:37 AM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.