Cher Public

  • manou: Excuses, excuses… 8:12 AM
  • Cocky Kurwenal: I think Monastyrska is a sensible idea, she’s a bit Cerquetti-like and she’s a good Ballo Amelia and... 7:35 AM
  • phoenix: httpv://www.youtub e.com/watch?v=urzg esjdV5c 7:34 AM
  • redbear: Operas next season in Lyon: L’Ange de feu, L’Enfant et les sortilèges, Ermine, en version concert, Une Nuit à Venise, Jeanne au... 2:22 AM
  • antikitschychick: Oh my goodness, I have a 30 pg. paper due tomorrow so I’m swamped atm and I’ve been trying to catch up with... 1:27 AM
  • PCally: Well I honestly can’t remember the singing all that much, it’s not really that kind of role. 11:17 PM
  • Krunoslav: Nope. We have bad/spoiled voices here too. Roz P started out with a rich sound and much promise but never got the top... 10:56 PM
  • Camille: I’m sold. Especially after looking at the programs to be featured this summer–all Puccini and other veristi, all the... 8:23 PM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.