Cher Public

  • antikitschychick: sorry my comment was in response to armerj’s post above concerning AN and Lady Macbeth. 9:23 PM
  • antikitschychick: Lol completely agree with everything you said here. I was actually surprised at how campy I found AN’s Lady... 9:21 PM
  • antikitschychick: well Cocky since she is sharing the role/run of Tosca with Anja Harteros I don’t think it’s out of the... 8:53 PM
  • phoenix: Only saw Anna once onstage: http://tinyurl.com /glqlhtr Natasha Rostova suited her very well but I never heard her sing with such... 8:31 PM
  • armerjacquino: I think, as ever, it depends on the director. In that Salzburg BOHEME she was genuinely remarkable as an actor- maybe the... 6:52 PM
  • Signor Bruschino: I completely agree- dreadful conducting. And when he was conducting South Pacific, during the dialogue scenes, he would... 6:34 PM
  • RosinaLeckermaul: Yes, rewriting classics was typical in the Restoration. Shakespeare was considered a genius, but one who needed editing... 6:07 PM
  • la vociaccia: I thought Sperling’s conducting in THE KING AND I was dreadful; rushed, shallow and completely without sweep or... 5:44 PM

Even smiling makes my face ache

Call it brio, joie de vivre, zest, élan vital, perhaps Lebenslust. You might even call it “fun.” But no matter what you call it, that’s not the mood Renée Fleming was in when she dropped in for lunch with Muse at Bloomberg.

Graeae lady

Bloomberg’s Zinta Lundborg, best known for sharing a single eye and a single tooth with Manuela Hoelterhoff, overlooked the opera on Wednesday night and instead reviewed the PR for Dark Sisters. When a man writes like this, we call it “bitchy,” so when a woman does it, can’t we call her “dickish?”   Read more »